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Live
Venue address
15 North Street
Lewes, East Sussex
BN7 2PD
United Kingdom
Weekly featuring Books - Monday 28th October 2024
Auction dates
28 Oct 2024 09:30 GMT
Viewing dates
25 Oct 2024 09:00 - 16:00 BST
26 Oct 2024 09:00 - 13:00 BST
28 Oct 2024 08:00 - 09:30 GMT
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Auction currency
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GBP |
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Buyer's premium
|
25 % |
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Online commission
|
4.95 % |
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Accepted cards for registration
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We found 133 items matching your search
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1086
Two Victorian style rectangular gilt frames, larger width 69cm, height 78cm. Condition - fair to good
Apertures 47.3x39cm and 39.5x31.5cm.
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1132
Two Ian Gill forged steel bulrush and reed garden sculptures, (one a bird feeder stand), larger height 200cm. Condition - good
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1136
A mid century “Mad Hatter” painted wood fairground carousel panel of tapered rectangular form, width 104cm, height 94cm. Condition - fair
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1138
A mid century “Dumbo” painted wood fairground carousel panel of tapered rectangular form, width 104cm, height 94cm. Condition - fair
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1141
A mid century “Doc” painted wood fairground carousel panel of tapered rectangular form, width 104cm, height 94cm. Condition - fair
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A mid century “Porky Pig” painted wood fairground carousel panel of tapered rectangular form, width 104cm, height 94cm. Condition - fair
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1143
A mid century “Big Bad Wolf” painted wood fairground carousel panel of tapered rectangular form, width 104cm, height 94cm. Condition - fair
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Eric Ravilious for Wedgwood, an 'Alphabet' mug, 8cm high. Condition - fair
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1269
After the Antique, a pair of late 19th century bronze figures of Mercury and Fortune, each mounted on a black slate socle, with incised decoration, 51cm high. Condition - Mercury has his sceptre missing and Pheme has a bent trumpet
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1288
A composition bust of a boy on stand in a hat, ruff and pom-pom buttoned top, inscribed ‘A Azza’, 55cm high. Condition - fair
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A Victorian unframed sampler worked by Ann Elizabeth Coward, Norton School, August 1879, 17 x 20cm. Condition - fair to good, some staining to canvas
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After Gustave Michel (French, 1851-1924), an Art Nouveau bronze bust, ‘La Pensee’, 32cm high. Condition - good
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1349
After Charles Lebourg (French, 1829-1906), a bronze sculpture, ‘The Piper’, 44cm high. Condition - good
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A mixed glass mosaic plaffonier light with metal frame, 41cm diameter. Condition - good
Featured lot
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° ° Skelton, C. The Engravings of Eric Gill, Wellingborough 1983, hardback book in folio case. Condition - good
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1365
After Jacques Bousseau (1681-1740), a 19th century bronze study of Ulysses, 49cm high. Condition - good
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1387
Eleven Beatrix Potter figures to include Benjamin Bunny, Mrs. Tiggy Winkle, Timmy Willie, Duchess with flowers, tallest 11cm. Condition - good
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° ° Gaunt, W. The Etchings of Frank Brangwyn, R.A., The Studio 1926, Condition - fair to good
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1395
A pair of Maori carved wood photograph frames containing contemporary New Zealand photographs c.1900-10, carved in relief with rauponga lines and spirals, inset with contemporary albumen photos, depicting figures by Waikimihia (Hinemoa’s bath), Mokoia Island, Rotorua by Edith Preen (1877- ?, she also photographed Anaha Te Rahui, c.1907) and another albumen print entitled ‘Maori Haka, NZ’, frames 32.5 cm x 27cm
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An Art Deco green onyx box, the lid surmounted with a cold painted bronze spaniel, flat packed joints need reglueing,16.5cm wide
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1421
An early 19th century devotional reliquary rolled paper roundel, 7cm in diameter. Condition - fair
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1423
§ § David Wynne (1926-2014). A bronze maquette, 'Dancing Nudes', with green verdigris patination, on wrought iron integral stand, 15cm diameter, 24cm high. Condition - good
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1425
A collection of 19th century carte de visites to include women wearing mourning dress and clergymen. Condition - fair
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1675
Cecil Aldin (1870-1935), colour lithograph for The Sketch, 'The Model Who Wouldn't Sit', published with the sketch Christmas No. 1931, 29 x 38cm. Condition - fair to good
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Robert Hinton?, watercolour mixed media, Market Sellers, signed, 40 x 52cm. Condition - fair
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1677
Jean Cocteau (French, 1889-1963), colour lithograph, L'Europe Notre Patrie, signed and dated 1961 in the plate, 31 x 39cm. Condition - fair
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1678
Nisaburo Ito (1905-2001), two pairs of Japanese woodblock prints, Pagodas, signed with character marks, largest each 39 x 26cm. Condition - fair to good, some minor discolouration
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1679
Late 18th /early 19th century, English School, oil on canvas, Shipping scene, unsigned, 44 x 59cm, gilt framed. Condition - fair to good
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A decorative Impressionist oil on board, Study of a seated woman at a table, 48 x 38cm. Condition - good
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Jean Hardy (French, 1880-1950), dry point etching, Art Nouveau lady beside birds, signed in pencil, together with Mary Earland (20th. C), mixed media, Woman before flowers, signed and dated 1957, largest 55 x 45cm. Condition - Hardy, poor to fair, Earland, good
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1684
H J Sabela (act. 1905–1907), pair of oils on canvas, Still lifes of fruit, each signed and dated 1902, 25 x 29cm, gilt framed. Condition - poor
One signed in full and dated 1902, the other monogrammed HS and dated 1900. Oils thin and dry, the lemons painting with horizontal rubs along top and bottom; the grapes oils badly rubbed and discoloured; curved scratch top-centre. Frames fair.
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John Joseph Barker of Bath (Exh.1835-1863), ink and wash, ‘The Footstep’, ex Abbott & Holder, inscribed in ink, unsigned, 9.5 x 15cm. Condition - fair to good
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1686
Style of Mary Fedden (1915-2012), gouache, Still life, Fruit and flowers on a table, bears signature and date 1999, 19 x 28cm. Condition - good
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1687
Hide Kawanishi (Japanese, 1894-1965), woodblock print, Street scene at night, 16 x 26cm. Condition - good
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1688
H E Austin, oil on canvas, Woodland landscape with stream, signed, 27 x 40cm, gilt framed. Condition - good
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After Edgar Hunt (1876-1953), oil on canvas, Donkeys and poultry before farmland, unsigned, Windsor & Newton stamp to canvas verso, 16 x 21cm. Condition - good
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Harms, oil on canvas, Study of a gentleman and work horse, signed, 24 x 29cm, ornately framed. Condition - good, some minor losses to the frame
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Florian Grass, oil on canvas, Still life of flowers in a glass vase, signed, 39 x 29cm. Condition - good
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1692
Tom Phillips (1937-2022), colour screen print, Pop-art style cartoon strip, ‘One Woman in the Dusk’, signed in pencil, 38 x 51cm. Condition - fair
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M Tindale Davis, oil on board, ‘Pendoggett’, unsigned, inscribed verso, 25 x 38cm. Condition - fair to good
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Millicent George (Exh.1912-13), watercolour cartoon, ‘The Broad & Narrow Way’, initialled, ink inscription verso, 10 x 12cm. From the Studio of Fred Cuming. Condition - fair
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Ina Pinder, impasto oil on canvas, River landscape with sailing boats, signed, 19.5 x 24.5cm. Condition - poor to fair, hole to canvas lower left
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1696
After David Teniers (1610-1690), oil on board, Dutch winter landscape with skaters on a frozen lake, applied plaque to the frame, 20 x 26cm, gilt framed. Condition - fair
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1697
A decorative French impressionist style oil on board, Beach scene with seated figures, 23 x 30cm, ornately framed. Condition - good, some losses to the frame
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1698
A Hawkes, oil on board, Riverscape with thatched cottage, signed, 21 x 30cm, ornate gilt framed. Condition - poor
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1700
J Christian, oil on canvas, Winter landscape with figure and flock of sheep, signed, 20 x 24.5cm, ornate gilt framed. Condition - good
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1701
Lord Methuen R.A. (1886-1974), oil on board, Argenton-Chateau (2 Sevres), signed, New English Art Club label verso, 27 x 39cm, unframed. Condition - fair
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1702
W.B.Rowe (Brighton, 20th. C), oil on board, Shoreham harbour entrance, signed, circa 1920, 24 x 34cm, gilt framed. Condition - good
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Edward Dawson (b.1941), oil on board, 'Girl at the mirror', signed and dated 1973, 24 x 16cm. Condition - good
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1704
Frederick John Widgery (1861-1945), watercolour and gouache, Rocky coastal scene, signed, 58 x 46cm, gilt framed. Condition - good
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1705
Edward Dawson (b.1941), oil on board, 'Twilight on Alnmouth Beach', signed and dated 1973, 18 x 30cm. Condition - good
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1706
Brook Harrison (1860-1930), watercolour, ‘Shoreham, Sussex’, signed and inscribed, 25.5 x 36.5cm. Condition - fair, some minor spots of foxing
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1707
Louis Icart (French, 1888-1950), colour etching, French soldier kissing a semi nude woman, signed in pencil, details verso, 28 x 38cm. Condition - poor, discolouration throughout
Light tears top-left corner; discoloured with dark spots upper right; glass dirty.
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1708
J Spencer, oil on board, Portrait of a gentleman wearing 18th century dress, 38 x 28cm, housed in an ornate ebonised and gilt frame. Condition - good
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Early 20th century, oil on board, Study of a Leopard, unsigned, 29 x 21cm, gilt framed. Condition - poor to fair
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Archibald Thorburn (1860-1935), pair of coloured prints, Birds on branches, signed in pencil, published by A Baird - Carter, London 1915 and 1916, 27 x 20cm, gilt framed. Condition - fair, spots of foxing
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Tom Rowden (1842-1926), watercolour, Mountainous landscape with flock of sheep and shepherd, signed and dated 1902, 17 x 47cm. Condition - fair
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1713
Sydney Maiden (Exh.1928-1936), ink and watercolour, Figures in a park, signed and dated 1927, 39 x 26cm. Condition - fair, colours muted
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1714
Henry Rushbury (1889-1968), drypoint etching, 'Fasciste', signed in pencil, 38 x 22cm. Condition - fair to good
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1715
Charles William Cain (British, 1893-1962), drypoint etching, Street scene with Arab women, signed in ink and numbered 29.75, 39 x 27cm. Condition -
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