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Live
Venue address
15 North Street
Lewes, East Sussex
BN7 2PD
United Kingdom
Broxham House - Stand Alone House Sale - Tuesday 19th November 2024
Auction dates
19 Nov 2024 10:00 GMT
Viewing dates
15 Nov 2024 09:00 - 16:00 GMT
16 Nov 2024 09:00 - 13:00 GMT
18 Nov 2024 09:00 - 16:00 GMT
19 Nov 2024 09:00 - 10:00 GMT
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Auction currency
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GBP |
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Buyer's premium
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25 % |
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Online commission
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4.95 % |
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Accepted cards for registration
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We found 68 items matching your search
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An early 20th century French terracotta bust of Marie Antoinette, 57cm high, on a white painted wooden pedestal, 106cm high Bust rather weathered, has probably been outside at some point, dusty at the top but with small pitting marks showing throughout, probably frost damage, notably in her cheek, on her chest and to the front of her robes, an old crack running through her left lapel that may be firing rather than later damage, some scuffing and chipping to the extremities, apparently unsigned, now seated upon an old white painted wooden pedestal which is a little dusty but otherwise fairPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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After Desiderio da Settignano (1429-1464), an early 20th century rectangular marble relief plaque of Flavia Julia Helena, or Saint Helena, 60 x 40cm The National Trust holds a similar plaque in the collection at Gunby Hall Estate, Lincolnshire, NT 637922. Helena (c.246-330AD), later known as Flavia Julia Helena Augusta, mother of Constantine the Great, was credited after her death with having discovered the fragments of the Cross and the tomb in which Jesus was buried at Golgotha. Helena was born at Drepanum in Bithynia, later renamed after her Helenpolis, about the year 250. Small dirt marks and light weathering, chipping around the edges, particularly at two of the corners PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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A Victorian plaster bust of Felix Mendelssohn (1809-1847) with impressed title 'Mendelssohn Bartholdy' to the front and impressed address to the reverse 25 High Street, Bloomsby W.C., 50cm high White painted plaster now rubbed, discoloured and dirty with scattered small chips and a break clear through the neck that has been re-attached. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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After the antique, a pair of 19th century Italian carved alabaster figures of muses, each in diaphanous robes and standing beside a tree stump, on naturalistic bases, 37.5cm high, original square base plinths now dismantled One figure has had the arm broken away and re-attached, minor dents to the folds of her robes and small scuffs elsewhere, a crack to the back left corner, the other with chip to the tip of the nose, fingers of the right hand missing and other small tiny chips, base broken and restuck with a small section missing, plinths now broken down into section but do look complete and should be fine to re-assemble. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Leading
6
A Tassie style plaster relief of George III, housed in a gilt scroll frame, the relief 7cm, frame 24 x 20cm Some loose dirt under the glass and minor chipping around the outer oval rim, otherwise fair condition, frame in good order. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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14
Four Edwardian inlaid mahogany gallery trays, two of kidney shape, one serpentine rectangular, the other oval, all with original brass loop handles, largest 56cm All rather dirty and dusty, kidney with shell in good order but for an old repair to the rim, kidney with musical trophy rather faded and needing repolishing, shaped rectangular dusty with small rim damages, oval - water damaged with extensive splitting running throughout PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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23
A 19th century French bronze figure of Sappho seated, holding a book and stylus, 34cm high Even dark chocolate brown patination, some light rubbing to the extremities, apparently unsigned but numbered on the back 8426 PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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24
After Christophe-Gabriel Allegrain (1710-1795), a late 19th century bronze model of Venus sortant du bain, standing with her foot upon a rock, with integral square plinth, 47cm high Overall with a dark blackish brown patination and essentially in good order, a little rubbed at the raised extremities PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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After Étienne-Maurice Falconet (1716-1791), a late 19th century bronze figure of Venus au bain, the nude standing beside a tree stump and reeds, on integral naturalistic square base, 41cm high Overall fair condition, a blackish brown patination throughout, some oxidisation spots and a little rubbing at the extremities. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Manner of Henri Louis Levasseur (French, 1853-1934), a pair of bronze allegorical figures each modelled as classical muses and standing upon black slate plinths, 24cm high, and a further bronze figure of Justice seated upon a square slate plinth, 26cm Pair - of dark chocolate brown patination, a little rubbed on the extremities, rather dirty with some chipping around the plinths.Single Justice - of a dark blackish brown patination, damage to whatever she was once holding aloft in her hand, a dent on her knee, chipping around the plinth.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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After Claude Michel Clodion (French, 1738-1814), a pair of late 19th century bronze figures of musical putti, one standing playing a triangle, the other once with a flute, each on naturalistic bases and ormolu socles, 35cm high Both in fair to good condition, an even blackish brown patination throughout, some dirt and dust and a little rubbing to the raised extremities, the flute player is lacking their instrument and wobbly on the base and will need tightening up, both have oxidisation spotting to the ormolu bases PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Leading
29
After the antique, three classical bronzes, faun with child Dionysius, 29.5cm high, and a pair of figures of Pan and dancing Bacchante, on red marble plinths, 18cm and 19cm Large group of rich blackish brown patination, a little dusty but otherwise good condition, some oxidisations spots, the pair of a blackish to chocolate brown patination, some chipping around the plinths. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Leading
30
After the antique, a late 19th century Italian bronze bust of Apollo Belvedere, upon integral square plinth, 29cm high A little dusty with an even blackish brown patination and some water splashing marks, slightly rubbed at the raised extremities but essentially good condition PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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A 17th century oak coffer with four panel lid and front, carved with lozenge motifs, on stile feet, 141cm wide, 60cm deep, 74cm high Of a rich mid to dark brown even tone, old small damages scattered throughout but essentially good order.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Leading
84
An Edwardian mahogany two tier trolley, 66cm wide, 37cm deep, 70cm high A little dusty, even reddish brown mahogany tone, slightly faded on the tiers, three quarter gallery on both tiers, old repaired breaks to two of the front legs. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Leading
126
A pair of 19th century French bisque groups, depicting the seasons, Summer and Winter, each modelled with a classical woman standing beside a cherub, one holding a flaming torch to warm her hands, the other a basket of flowers, now mounted as lamps with white marble plinths, 40cm high Both rather dusty and dirty, lamp fittings certainly need re-wiring. Winter with old repairs and damages to cupid's left hand and both of hers, firing cracks running through her feet, Summer with damage to her right hand and left toes, signs of old restoration around the base where it sits near the lamp mount. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Leading
140
18th century Russian School The Virgin of Tikhvin with two Royal saints and St John the Warrior, St Ulita and her son, Kirik oil and gold leaf on wooden panel 30.5 x 26cm Good condition, one or two very fine surface scuffs but essentially good order, original receipt and details on the back from the Mark Gallery of London PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Leading
141
Follower of Sir Peter Lely (1618-1680) Half length portrait of a gentleman in a brown coat and white stock oil on canvas Oil on canvas, relined 30 to 40 or so years ago, canvas remains tight, paint a little dusty but essentially in good clean condition, later gilt frame. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Quantity
1
Max bid
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Estimate
6,000 - 8,000 GBP
Anglo Dutch School, 17th century, after Daniel Mytens (1590-1647) Half length portraits of Sir Thomas Kynvet (c.1539-1617) and his wife, Muriel Parry, Lady Kynvet oils on board, a pair each inscribed and dated 1604, with a coat of arms, he numbered 138, she numbered 139 63 x 51cm Provenance; Christie's sale, British and Continental Pictures of the 18th, 19th and 20th Centuries, March 9, 1979, Lot 36. Attributed to Mytens with a provenance given as The Duke of Fife, K.T., 1907. Literature: Christopher Jones, The History of 10 Downing Street, 1985, pl35. Thomas Knyvet was the son and heir of John Knyvet, of Plumpstead, Norfolk, and his wife, Agnes, daughter of Sir John Harcourt, of Stanton Harcourt, Oxfordshire. Jane Knyvet, his paternal grandmother, was the second and only surviving daughter of Sir John Bourchier, 2nd Lord Berners (1467-1533), a descendant of King Edward III, and one of King Henry VIII's most trusted courtiers. On the death of the 2nd Lord Berners she succeeded as de jure Baroness Berners, and on her death in 1561/2 Thomas Knyvet succeeded her as de jure 4th Baron Berners and inherited the estate of Ashwellthorpe in Norfolk. Knyvet was knighted by Queen Elizabeth I in her progress to Norfolk in 1578, and the following year was appointed High Sheriff of Norfolk. He married Muriel, daughter of Sir Thomas parry, Master of the Court of Wards and Liveries, and Treasurer of the Household to Queen Elizabeth I. In 1616 he obtained a certificate from the commissioner of the office of the Earl Marshall of his 'right and title to the Barony of Berners', but he died shortly afterwards, before obtaining the King's confirmation. He was buried at Ashwellthorpe and was succeeded by his grandson Thomas. Oils on panels showing some horizontal splitting separations, paint rather dark and dirrty, he with light surface scratching beneath his nose and some rubbing to the paint in his dress, title and date inscribed top right corner Sir Tho. Knyvett, 1604, reinforcement strips to the back of the panel, old Christie's stencil numbers 330KL and 540ZZ, old but not original carved giltwood frames with attribution plaques to Mytens and Collection numbers 138139. She in similar condiiton, some scratching and a split running from above her right eye towards the edge, again rubbing to her clothing, titled Muriel Parry, Lady Kynvett 1604, matching Christie's numbers to the back and other auctioneers chalk marks suggesting a sale in 1979. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Leading
143
Quantity
1
Max bid
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Estimate
3,000 - 5,000 GBP
Circle of Francis Barlow (British, 1624-1724) Lion-dog and a grey parrot in landscape oil on canvas 62 x 74cm Oil on canvas relined many years ago, canvas remains tight, paint with some fine but stable craquelure throughout, signs of retouching here and there particularly one dark spot in the sky, plain stripped pine frame. Provenance: Sotheby's Old Master paintings sale 19th December 1979 Lot 110 purchased as Flemish School c.1700. Barlow attribution from a subsequent Christie's insurance valuation. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Leading
144
Circle of Daniel Mytens (Dutch, 1590-1647) Half length portrait of a gentleman, in black, holding gloves oil on canvas dated 1639 100 x 68cm Oil on canvas relined many years ago, canvas remains tight, slight stretcher marks showing, paint overall rather dirty, signs of old retouching particularly on the wrists, perhaps areas of the face, housed in a period gilt frame which is rather tatty, old Christie's stencil number 33PY verso. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Leading
145
Follower of Hyacinthe Rigaud (French, 1659-1743) Three quarter length portrait of Jean Pierre D’Argongarde, Marquis de la Chapen, Seigneur de Fleury, in legal robes oil on canvas 121 x 94cm, unframed Relined many years ago, canvas remains tight, paint a little rubbed around the edges and showing signs of old stretcher marks, further patchy discolouration possibly just the varnish but perhaps going into the paint scattered throughout, denting and scratching by his nose, some lighter white paint flecks scattered over the top, not framed. Christie's stencil number verso BH957 along with chalk marks for Lot 43 26 9 80 PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Leading
Quantity
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Estimate
5,000 - 7,000 GBP
Attributed to Enock Seeman (c.1694-1745) Half length portrait of a lady with blue ribbon in her hair, elaborate lace collar and crimson robe, an armorial to the top left oil on canvas with the Conyers coat of arms 74 x 62cm Relined many years ago, canvas remains tight, paint looks to be in very good clean condition with no faults noted, housed in a later grey painted carved wood frame which is a little dusty, paper excerpt with attribution to artist verso. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Follower of Carlo Maratta (1625-1713) The Virgin and child oil on canvas 64 x 53cm Oil on canvas relined many years ago, canvas remains tight, some stretcher marks showing along with a fine but stable craquelure throughout, housed in an 18th century giltwood and gesso frame which is now rather tatty, no labels or inscriptions verso. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Leading
148
Quantity
1
Max bid
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Estimate
3,000 - 5,000 GBP
Attributed to George Lambert (English, 1710-1765) Extensive lake scene with figures in foreground oil on canvas 72 x 153cm Re-lined 40 or 50 years ago, canvas remains tight, paint a little dirty with some fine but stable craquelure running throughout, two surface dents near the bottom right corner, small signs of retouching, housed in a later gilt scroll frame which is dusty but fair, fairly modern attribution to artist plaque loosely applied to the frame, small old label on the lower left of the stretcher, giving the name Srightief born 1734, died 1797. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Leading
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Estimate
3,000 - 5,000 GBP
Studio of Sir Godfrey Kneller (1646-1723) Portrait of a child standing full length beside a classical urn, a small dog at her feet oil on canvas 126 x 101cm Oil on canvas relined many years ago, paint rather dark and dirty, canvas stable, one or two signs of old retouching particularly in the dark area to the left above the urn, small scattered surface dirt marks, apparently unsigned, gilt gesso scroll frame with a number of losses and also drying out and starting to crack, label verso on the stretcher for Grundy & Smith Ancient and Modern Print Sellers ... of Manchester. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Leading
150
Quantity
1
Max bid
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Estimate
800 - 1,200 GBP
Circle of Sir Henry Raeburn R.A. (Scottish, 1756-1823) Half length portrait of a naval officeroil on canvas89 x 70cm Oil on canvas relined 30 to 40 years or so ago, canvas remains tight, a fine but stable craquelure running through much of the paint otherwise fair order. attribution plaque to the artist on the frame, ornate gilt gesso frame with some losses around the margins, Christie's stencil numbers verso 996TG and BL4S5.Provenance; Christie's sale; English and Continental Paintings, Oct 1st, 1980 Lot 167 as Sir H.Raeburn.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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A group of assorted 18th century engravings; Dodd after Hogarth, The Indian Emperor, 40 x 54cm Raphael Smith after John Crewe, mezzotint, sheet 56 x 41cm Smith after Kneller, Edward Southwell Esq., 35 x 25cm Valck after Lely, Duchess of Mazarin, engraving, 34.5 x 25cm Faber after Dahl, The Honourable Sir Cloudesley Shovell Admiral of Great Britain, 39 x 29cm Dodd after Hogarth The Indian Emperor - short tears across the top, some foxing Raphael Smith after John Crew - paper discoloured, some foxing Smith after Kneller - Edward Southwell Esq. - fair condition Valck after Lely, Duchess of Mazarin, engraving - some discolouration but fair Faber after Dahl, The Honourable Sir Cloudesly Shovell - paper discoloured, otherwise fair PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Leading
153
Dixon after Sir Joshua Reynolds Henry Earl of Pembroke & Montgomery 1772, mezzotint 46 x 33cm, and Kyte after Aikman, mezzotint, Mr Gay, author of The Beggar's Opera, 35 x 26cm Both with some fairly even discolouration of the ground paper and some scattered fox marks, glass in both cases rather dirty, one with tatty gilt frame, the other with tatty Hogarth style frame PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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A collection of assorted 18th century and later engravings; Earlom after Pellegrini mezzotint, Vice Admiral Colpoys, visible 47 x 35cm Cunego, engraving, Antonius Raphael Mengs, 29 x 21cm Gunst after Van Dyck, engraving, Lucy Countess of Carlisle, 52 x 33cm Faber after Vandebank, mezzotint, Michael Rysbrack Sculptor, 35 x 25cm Gunst after Van Dyck, engraving, Margaret Smith married to Sir Thomas Carye, 50 x 30cm Condi after Cosway, stipple engraving, Mrs Jackson, 29 x 19.5cm After Cosway, stipple engraving, His Royal Highness George Prince of Wales, 24 x 14cm Anonymous engraving of a lady, 27 x 20cm Earlhom after Pelegrini, mezzotine, Vice Admiral Colpoys - cropped, creased, tears at the corners Cunego, engraving, Antonius Raphael Mengs - paper spotted and discoloured Gunst after Van Dyck, engraving, Lucy Countess of Carlisle - tatty margins, some spotting Faber after Vandebank, mezzotint, Michael Rysbrack Sculptor - cropped, paper discoloured Gunst after Van Dyck, engraving, Margaret Smith married to Sir Thomas Carye - paper discoloured Condi after Cosway, stipple engraving, Mrs Jackson - some paper discolouration After Cosway, stipple engraving, His Royal Highness George Prince of Wales - paper discoloured Anonymous engraving of a lady - some paper discolouration. All measurements given are for the visible sheet, frames fair but with some losses PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Leading
157
Follower of Richard Westall (1766-1836) ‘The Chariot of The Gods’ oil on canvas, of arched form 91 x 109cm Oil on canvas relined with the past 20 to 30 years or so, canvas remains tight and paint in clean condition but for a few recent small scattered white splash marks, not framed PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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English School, early 19th century Merchant and other ships off London dock, one carrying an American flag, and shipping in a river estuary oils on canvas, a pair 24 x 34cm Relined 20 or 30 years or so ago, canvas's remain tight, paint looks to have a rather discoloured yellowed varnish, some signs of small retouching probably from previous paint loss particularly in the sky, light scuffing over the tug boat in the image with the American ship, apparently unsigned, gold painted frames in fair order PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Leading
160
Quantity
1
Max bid
GBP
Estimate
2,000 - 3,000 GBP
Circle of Anne Forbes (English, 1745-1834) Portrait of a lady, full length, in a white dress, with a dog in a landscape oil on canvas 229 x 145cm, unframed Cleaned, restored and relined 30 to 40 years or so ago, canvas remains tight and paint in good clean condition, with some fine but stable craquelure particularly showing in the skin tones, a little light surface dust, not framed. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Leading
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1
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Estimate
6,000 - 8,000 GBP
Thomas Hudson (British, 1701-1779) Portrait of a lady standing three quarter length in a landscape, wearing a grey dress and blue shawl oil on canvas 128 x 102cm Cleaned and relined 20 to 30 years ago or so, canvas remains tight, paint now a little dirty with a fine but stable craquelure running throughout, later gilt gesso frame overpainted and now a little tatty, old Christie's number on the stretcher 554ZM, old hand inscribed letter applied to the stretcher suggesting the picture was bought for £500 many years ago, from a 'Hall in Lancaster' and attributing to Lely. Comes with a copy of a Christie's catalogue Important English Pictures November 24th 1978 Lot 68, fully attributed to Thomas Hudson and the property of Miss J L Threlfall which matches the name signed to the letter on the stretcher PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Luigi Rossini (Italian, 1790-1857) Vedute del Ponte di Nona 1823 and Tempio di Romolo, 1819 engravings (2) 38 x 56cm and 34 x 44cm Both in fair to good condition, Nona with some undulation and some light foxing, mounted just beyond the plate work, Romolo with some undulation, mounted beyond the plate work, both in later ebonised frames PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Gerald Mynott (English, b.1957) 'Temple and Obelisk, Chiswick House' watercolour signed and dated 1981, Francis Kyle Gallery label verso 42 x 33.5cm Good untouched condition, some undulation of the paper otherwise good order, any sign of dirt is on the glass not the work, plain mount and slim gilt frame PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Leading
165
Attributed to Thomas Barker of Bath (British, 1769-1847) Landscape with figures milking a cow oil on canvas 75 x 61.5cm Oil on canvas relined many years ago, canvas remains tight, paint with some white mould on the surface but essentially fair order, later gilt scroll frame with some small losses, two labels verso giving details of the work. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Leading
168
A L Clarke Primitive style study of a spaniel oil on card 38 x 47cm, with a Victorian lithograph of the racehorse, Barefoot, 42 x 54cm Spaniel picture - a modern reproduction now very dirty Horse print - heavily discoloured PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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J.S. Guy (English, 19thC.) 'Plymouth, Barbican' oil on canvas signed and titled 60 x 90cm Oil on original canvas now with a number of old patched repairs notably top left corner in the sky and bottom right corner in the water, canvas remains tight, paint rather dirty, some slight lifting in the sky and a fine craquelure towards the lower right corner, attribution to artist plaque on the gilt scroll frame which is in fair condition, no labels or inscriptions verso. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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171
Follower of Alfred Pollentine (English, 1836-1890) The Entrance to the Grand Canal, Venice oil on canvas 73 x 125cm Re-lined 30 to 40 years ago or so, canvas remains tight, paint very dirty, clear signs of retouching in the sky for a T shaped tear in the top right corner running down the right side, other retouches notably in the clouds dead centre of the picture, housed in a later scroll frame which has a number of losses PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Leading
173
Follower of William James Muller (German, 1812-1883) Portrait of Albanian peasant oil on canvas 60 x 50cm Oil on original canvas now with stretcher marks showing, in rather neglected condition, dirty with fine craquelure particularly through the hands and neck, bitumous bubbling and separation lower down, and a dent with loss of paint below his hands, original gilt scroll frame now rather tatty, no labels verso. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Adolphus Knell (English, 1801-1875) Shipping off the coast on a calm sea oil on canvas signed and dated 1876 34 x 59cm Oil on canvas relined 30 - 40 years ago or so, canvas remains tight and paint in fair clean condition, a little fine but stable craquelure in the white of the sky, later gilt frame with a few small losses. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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175
G.E. Smith (c.19thC.) Two ships of the ‘Sultana’ line, entering port oil on canvas 48 x 74cm Relined many years ago, canvas remains tight and paint in good clean order with a rather shiny varnish, signs of numerous old retouching throughout, feint signature and date in the lower left corner, later gilt scroll frame. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Leading
176
Frederick Charles Dixey (English, 1877-1920) Fisherfolk on the shore oil on board signed 17 x 25.5cm Oil on mill board in good clean condition, looks like the work was intended to be housed in a slightly smaller frame as the top and right margins seem to once have been covered over, no other faults noted, gilt scroll frame dusty but otherwise good. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Leading
Quantity
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Estimate
1,500 - 2,000 GBP
Robert Henry Roe (1793-1880) A highland river landscape with an otter and his catch, watching a mallard oil on canvas signed and dated ‘Roe 1864’ 75 x 125cm Re-lined many years ago, canvas remains tight, paint rather dirty with a fine but stable craquelure mostly running horizontally across the work and most notable through the middle, signed and dated lower right , housed in a later gilt scroll frame which is in fair order. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Leading
178
Manner of Alfred Pollentine (British, 1836-1890) Views of Venice oils on canvas, a pair 22 x 35cm Both relined 30 - 40 years ago or so, canvas's remain tight, a little light surface dirt on the paint and a fine but stable craquelure running throughout, not signed, housed in later gilt scroll frames in good order PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Leading
179
T.R.S. (19th Century English School) ‘The Sleeping Fruit Seller’ oil on wooden panel initialled 24 x 19cm Honest untouched condition, rather dirty with two white paint flecks showing to the right, signature lower right, housed in the original gilt gesso frame which is in fair order and has a Collection or Exhibition number 261, the newspaper on the wall at the back announces cholera and also Codrington forever PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Leading
180
Oliver Clare (English, 1853-1927) Still life with bird’s nest and blossoms oil on canvas signed 20 x 25cm Oil on original canvas in honest untouched condition, possibly needs a light clean but no real faults noted, modern frame with John Simmons of Croydon label, Christie's stencil label across the stretcher but partially covered up. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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George Clare (English, 1830-1900) Still life of plums, apples and raspberries oil on canvas 15 x 23cm Oil on original canvas, a fine craquelure running diagonally through the paint, some flaking aross the bottom particularly left corner and beneath the fruit, signed lower right, later framed with attribution plaque and Aitken.Son label verso PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Leading
182
Oliver Clare (English, 1853-1927) Still life of black grapes, greengages and an apple oil on canvas 17 x 22cm Oil on original canvas, a little dirty with one or two tiny paint losses towards the top left, possibly unsigned although perhaps a monogram lower left corner. John Simmons later frame, remnants of a Christie's stencil 517.. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Gabriel Émile Edouardo Nicolet (French, 1856-1921) Portrait of young siblings, in wooded landscape signed and dated 1899 100 x 82cm Oil on original canvas which is very slightly saggy but otherwise in fair to good condition, housed in an older giltwood and gesso frame which is now a little dried out and starting to flake, Christie's number verso 403YT PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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19th century English School Landscape with cattle drover on a bridge and angler watercolour 22 x 31cm Perhaps a little faded, some light scattered dirt specks but fair condition, under glass in a later painted frame PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Leading
Quantity
1
Max bid
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Estimate
1,200 - 1,800 GBP
Pavel Tchelitchew (Russian, 1898-1937) 'Tilly Losch as The Wanderer 1933', a design for the Errante Ballet created by Balanchine, designed by Pavel Tchelitchew for Le Ballet 1933 watercolour Mercury Gallery label verso 30 x 48cm Watercolour on off white paper, creasing down the left side and two vertical folds running through it, additional invoice from Anthony Hepworth fine art. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Italian School Nude in Venice and Carnival with Rialto Bridge limited edition colour prints (2) indistinctly signed in pencil 67 x 46cm and 46 x 64cm Slight discolouration around the margin on the nude study which is inscribed PA for artists proof, otherwise both in fair condition with matching frames PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Leading
192
Sir William Russell Flint (1880-1969) ‘An Awkward Encounter’ colour print signed in pencil 44 x 57cm Probably a little faded, dirt marks around the mount, frame rather dusty, Medici Society label verso PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Leading
194
Michael Coulter (English, b.1937) ‘Netball at The Girl’s School’ watercolour monogrammed and dated ‘89 41 x 55cm Good untouched condition, some insect dirt beneath the glass, Peter Hedley Gallery Exhibition Catalogue verso together with artists label. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Leading
Arthur Easton (British, b.1939) ‘Discussion with Fairies and Friends’ impasto oil on board signed and dated 1998 55 x 60cm Good untouched condition, a little dusty but no real faults noted, plain painted wood frame with artist title inscribed verso. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Russian School Still life of floating lemons and butterfly with harlequin comboils on board (2)indistinctly signed and dated '9248 x 59cm and 48 x 58cm Both a little dusty but otherwise in good condition, frames equally a little tatty and differ in colour.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. Both a little dusty but otherwise in good condition, frames equally a little tatty and differ in colour.
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Leading
198
John Bridgeman (English, b.1916) Venice, c.1950 mixed media on paper Anthony Hepworth label verso 37 x 55cm Good untouched condition, any signs of dirt are on the glass not the work, painted wooden mount a little discoloured, under glass in a gilt frame with gallery labels verso PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Leading
199
§ § Dame Elizabeth Frink (British, 1930-1993) Bellerophon, from Children of the Gods etching with aquatint signed in pencil, numbered 4/70, impressed ‘K’ gallery mark 54 x 37cm Good untouched condition, overall sheet 72.5 x 55cm, possibly one or two tiny dirt specks but no real faults noted, glazed clip framing PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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