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Live
Venue address
15 North Street
Lewes, East Sussex
BN7 2PD
United Kingdom
Weekly House & Gardens Sale featuring Fine Wines & Spirits - Monday 25th November 2024
Auction dates
25 Nov 2024 09:30 GMT
Viewing dates
22 Nov 2024 09:00 - 16:00 GMT
23 Nov 2024 09:00 - 13:00 GMT
25 Nov 2024 08:00 - 09:30 GMT
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Auction currency
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GBP |
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Buyer's premium
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25 % |
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Online commission
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2 % |
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Accepted cards for registration
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Accepted cards for payment
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We found 92 items matching your search
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1109
Garden sculpture by Tinei Mashaya - Zimbabwean, entitled 'The Gamekeeper' carved from springstone, height 113cm. Condition - fair
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Anna Chromy, marble and bronze sculpture of a woman on a wave, limited edition 2/1063cm high. Condition - good
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1339
Mid 20th century bronze bust of a gentleman, Valsuani foundry mark, 30cm high. Condition - good.
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1404
A cased Cologne enamel on copper travelling shrine depicting God and Jesus. Condition - some wear
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A large painted cast plaster urn, 59cm high. Condition - fair to good.
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1700
After Franz Ittenbach (German, 1813-1879), oil on canvas, Christ with crown of thorns, 49 x 39cm. Condition - good
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A decorative oil on board, Still life before a coastal view, 50 x 60cm. Condition - good
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1702
Chinese School, pair of pith paper paintings, Figures in interiors, 30 x 17cm. Condition - fair
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1704
J.M. Thomas, oil on canvas, 20th century English School, Study of a Steam engine locomotive, 40 x 61cm, unframed. Condition - poor to fair
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After Peter Paul Rubens (Flemish, 1577-1640), oil on board, ‘The Last Supper’, 31 x 50cm, inscribed verso. Condition - fair
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Mid 20th century, French oil on board, ‘Montargis, Rue Sur L'eau’, indistinctly signed lower right, 54 x 36cm. Condition - fair to good
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1708
Dennis Harper (b. 1940), oil on canvas, Mountainous scene with waterfall, signed, 39 x 49cm, gilt framed. Condition - fair to good, would benefit from a clean
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1709
J. MacNaughton, oil on board, Panoramic port scene with ships, signed, 11.5 x 55cm, ornate gilt framed. Condition - fair, would benefit from a clean
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1710
Ernest Railton (19th. C), pair of heightened watercolours, Shipping scenes including ‘Off Dover’, each signed and dated 1909, 16.5 x 24cm, gilt framed. Condition - poor to fair
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Arthur E. Barbosa (1909-1995), ink and watercolour, Full length study of a gentleman wearing military dress, signed, ex: Abbott & Holder, 26 x 18cm. Condition - fair
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1712
In the manner of George Romney (1734-1802), oil on canvas, Portrait of a Regency lady, unsigned, 30 x 24cm, ornately framed. Condition - poor to fair
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1713
Set of four pencils on tracing paper?, Classical scenes and figures, 9 x 17cm, mounted, unframed. Condition - fair
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Impressionist, pair of oils on board, Riverscape with moored boats and lakeside scene, each indistinctly signed, Mat ..?, each 17 x 12cm, gilt framed. Condition - good
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Early 20th century School, oil on board, Still life of a tazza and fruit, unsigned, 28 x 23cm, ornately framed. Condition - poor
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Frederick James Timbrell (1905-1992), oil on board, ‘The Silver Shop’, signed, various labels including The Royal Institute of Oil Painters inscribed label verso, 29.5 x 40cm. Condition - fair to good
No damage seen; thicker impasto in places. Cloth section of frame with small holes; wear and scrapes to gilt border.
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Frederick James Timbrell (1905-1992), impasto oil on canvas, Still life of flowers in a jug, signed and dated '48, 35 x 24cm. Condition - fair, craquelure throughout
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1719
Milko Bambic (Italian, 1905-1991), impasto oil on canvas, still life of an oil lamp and vintage telephone, signed, 90 x 60cm. Condition - fair
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1720
Charles Stuart, pair of oils on canvas, Coastal scenes with fishing boats, each signed and dated 1891, 24 x 34cm, ornate gilt framed. Condition - good
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1721
G Toare ?, pair of oils on board, Venetian canals, each indistinctly signed and inscribed verso, 18 x 38cm. Condition - good
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1722
G Toare ?, pair of oils on board, Venetian canals, each indistinctly signed and inscribed verso, 18 x 38cm. Condition - good
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Three late 19th/early 20th century Indian gouaches, including Jaipur Government and figures beneath a pagoda, largest 33 x 22cm. Condition - fair
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1724
In the style of William Crozier (Irish, 1930-2011), oil on canvas, Leaves and Curtains, 13 x 18cm. Condition - good
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1725
Two modern British oils on board, one by Peter Brannan, Coastal view and another of fishing boats, largest 35 x 40cm, each unframed. Condition - poor
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1726
Peter Jay (b.1936), two oils on board, including ‘Stile on the South Downs’, each signed, 19.5 x 19.5cm, gilt framed. Condition - good
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1727
Caroline Conran (b.1939), two watercolour and gouaches, comprising Portrait of a woman and nude swimming, one signed, largest 29 x 24cm. Condition - fair to good
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1728
Early 20th century, English School, oil on board, ‘Alfriston street scene’, 25 x 38cm, ornate gilt framed. Condition - fair
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1729
A decorative oil on board, Still life of flowers in a vase and Chinese censer, signed, 49 x 39cm. Condition - good
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1730
Caroline Conran (b.1939), oil on canvas, Study of a nude woman, together with a watercolour of the same subject, each signed, largest 40 x 60cm. Condition - good
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1731
Elyse Ashe Lord (1900-1971), pair of drypoint etchings in colour, 'Peach Tree Slopes' and 'Persian Silk', each limited edition, signed in pencil, labels verso, 33 x 32cm. Condition - fair
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George Hamilton Constantine (1878-1967), watercolour, ‘Low tide at Scarborough’, signed and inscribed, 34 x 49cm, ornately framed. Condition - some spots of foxing
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1733
Gwyneth Johnstone (Daughter of Augustus John, 1914-2010), watercolour, Study of an owl, monogrammed, inscribed verso, 32 x 21cm. Condition - poor to fair
No actual damage seen; some paint-spots, particularly lower right quarter; monogram with some black pigment missing.
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Late 19th/early 20th century, watercolour, Shipping scene, 43 x 77cm. Condition - poor
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A decorative oil on canvas, Abstract composition, Geometric shapes, 50 x 40cm, gilt framed. Condition - fair to good
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Two oils on canvas, comprising, O. Meller, Swiss mountainous scene together with another rural landscape, largest 51 x 68cm, unframed. Condition - fair
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1737
Louis Augustin Auguin (French 1824-1904), oil on canvas, Lakeside scene, signed, 26 x 39cm, ornate gilt framed. Condition - fair, craquelure throughout
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Style of Vettriano, oil on canvas, ‘Fetish’, 49 x 69cm. Condition - good
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A decorative oil on board, Still life of vessels and fish, 49 x 39cm. Condition - good
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Sven-Erik Hojland (Swedish, 1922-1979), oil on canvas, Winter landscape, signed, 43 x 64cm. Condition - poor
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1743
A contemporary impasto oil on canvas, Still life of daisies in a vase, indistinctly monogrammed, 40 x 30cm. Condition - good
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1744
Lionel Gordon Baliol Brett (1930-2004), pastel, 'Liathach Westeros', signed with initials, label verso, 29 x 43cm. Condition - good
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1745
Caroline Conran (b.1939), three oils on canvas, Abstract studies of birds before landscapes, one signed, largest 91 x 60cm. Condition - good
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1746
Early 20th century, pair of oils on canvas, Still lifes of flowers in vases, unsigned, 80 x 44cm. Condition - fair, would benefit from a clean
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1747
Desmond Turner (1923-2011), oil on canvas, Irish seascape, signed, 49 x 59cm. Condition - fair, craquelure throughout
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David Bond Walker (1891-1977), oil on canvas, Irish riverscape, signed, 40 x 50cm. Condition - fair to good
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1749
Twenty two 19th century French steel hand coloured engravings, birds to include ‘L’avocette’, 20 x 14cm. Condition - fair
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1750
Early 20th century School, pair of oils on canvas, Still lifes of flowers, unsigned, 69 x 49cm. Condition - poor to fair
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1751
Raymond Coxon (1896-1965), oil on canvas, Surreal composition, figures, signed, 45 x 76cm, unframed. Condition - fair, would benefit from a clean
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1752
Dorothy Jerrold (fl. 1908-1940), Impressionist oil on canvas, Landscape with figure collecting wood, signed, 64 x 41cm. Condition - fair
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Hiroyaki Tajima (1911-1984), three woodblocks, comprising: ‘Draw a Circle’, ‘Jinbe’ and ‘Impression of a Tea Room’, each signed and inscribed, 59 x 44cm. Condition - fair
Featured lot
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1755
Isabel Castle, watercolour, ‘Snow in the Mole Valley’, signed, label verso, 32 x 46cm. Condition - fair
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1756
Sir William Russell Flint (Scottish,1880-1969), two colour prints, Studies of women, one signed in pencil, one limited edition 805/850, 50 x 68cm. Condition - good
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1757
Sir William Russell Flint (Scottish,1880-1969), two colour prints, Semi-nude woman and two women in an interior, each signed in pencil, one published 1958 by Frost & Reed Ltd., 48 x 65cm. Condition - fair
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1758
Style of Tim Goodchild, set of four colour lithographs, Full length studies of Edwardian ladies, each with gallery receipts, 45 x 37cm. Condition - good
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Robin Holton, oil and pastel, Still life with flowers, signed with monogram, 34 x 48cm. Condition - good
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1760
After James Ward RA (1769-1859), engraved by William Ward - ‘A Vegetable Market’, a copper plate engraving, together with Arthur Weaver - ‘Safely on’, a coloured golfing print, signed in pencil, largest 48 x 62cm. Condition - fair
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