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Live
Venue address
15 North Street
Lewes, East Sussex
BN7 2PD
United Kingdom
Weekly House and Gardens - Monday 7th July 2025
Auction dates
Jul 07, 2025 09:30 AM BST
Viewing dates
Jul 04, 2025 08:30 AM - 05:00 PM BST
Jul 05, 2025 09:00 AM - 01:00 PM BST
Jul 07, 2025 08:00 AM - 09:30 AM BST
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Auction currency
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GBP |
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Buyer's premium
|
25 % |
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Online commission
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2 % |
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Accepted cards for registration
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Accepted cards for payment
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We found 96 items matching your search
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Featured lot
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1133
Five Victorian and later rectangular giltwood and composition picture frames, largest width 85cm, height 146cm
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An Indonesian sculpture, height 210cm
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A pair of wax portrait busts by Leslie Ray depicting a Naval Officer and a lady, 16cm high
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1263
James Woodford, ten painted plaster figures of the Queen's Beasts, inscribed and dated 1953, 26cm high
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1320
An abstract bronze model of a cow, 34cm and an Art Deco green onyx box, the lid surmounted with a cold painted bronze spaniel, 16.5cm wide.
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A bronze model horse’s head with martingale hanging, 55cm high
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A framed Persian gouache, 39cm x 49cm
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1364
After Arnold Katsch (German, b.1861), an Art Nouveau bronze figure of Psyche, with foundry mark to reverse ‘Gladenbeks Bronceciesserei’, on serpentine marble base, missing butterfly from hand, 34cm
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A collection of hardstone carvings, reclining figure 20cm
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1464
Two early 19th century embroidered silk tapestries depicting figures in landscapes, one framed, largest 52cm high
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1651
Magnus Gjoen (b. 1979), 'No time to grieve for roses while forests are burning', signed and dated 2014 in pencil, limited edition colour print numbered 5/15, 59 x 108cm
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1652
Frederick Goodall (1822-1904), Eastern landscape, monogrammed, Christies HN789, watercolour, 52 x 64cm
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1653
John Horwood (1934-1994), 'View of Hampstead Heath', signed, oil on canvas, details verso, 37 x 52cm, ornate gilt frame
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1654
Billie Newey (Contemporary), three abstracts, one titled ‘Red Dawn’, with another oil to the reverse of the board and a portrait of a lady, each signed, oils on board, largest 76 x 61cm, unframed Provenance: The Tanyards Collection, East Sussex
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1655
Pamela Howell (local artist), Still life of fruit and vessels, signed lower left, partially obscured by the frame, label verso, oil on board, 43 x 32cm
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Henry Benjamin Roberts (1831-1915), Farmyard scene with hounds, signed and dated 1902, ex. Abbott & Holder, watercolour, 29 x 44cm
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E.A. W…, Feeding the ducks, indistinctly signed lower right, watercolour, 20 x 27cm
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H. Louacek, Austrian landscape, signed, inscribed verso, oil on board, 40 x 42cm, unframed
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Paul John Kilshaw (b.1947), Venetian scenes comprising St Marks Square and Canal with gondola, signed and limited edition 17/150, set of three colour prints, 20 x 28cm, Provenance: The Tanyards Collection, East Sussex
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1661
Vietnamese School, 20th century, Two studies of school girls on bicycles, each with calligraphy and red seal marks, framed together, 16 x 14cm
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AFM, Study of two elephants, monogrammed, watercolour, 27 x 32cm
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1663
Leslie Poole-Smith (19th / 20th. C), 'Paris Flower Seller', signed, impressionist oil on board, 21 x 26cm, gilt framed
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1664
Leslie Poole-Smith (19th / 20th. C), 'French Shady River', signed, impressionist oil on board, 20 x 26cm, gilt framed
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Majid, Orientalist street scene with figures, signed, oil, 16 x 11cm Provenance: The Tanyards Collection, East Sussex
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Christina Brooke (Contemporary), abstract study, Still life of flowers in a glass bottle, monogrammed, oil, 28 x 22cm
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1667
John William Caparne (1855-1940), ‘Woodland landscape’, signed, details verso, watercolour, 27 x 43cm
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1668
Charles McCall (Scottish, 1907-1989), 'The Studio', signed and dated 1979, various labels verso to include Christies, St. James, London, September 1995 and inscribed King Street Galleries label, oil on board, 31 x 26cm
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Charles McCall (Scottish, 1907-1989), 'The Footbath', signed and dated 1979, various labels to include Christies, St. James, London, September 1995 verso, oil on board, 29 x 39cm
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Neil Forster (1939-2016), Study of two Yorkshire terriers, signed, pastel, 27 x 32cm
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Samuel John Lamorna Birch RA, RWS (1869-1955), Woodland stream, signed, watercolour, 22 x 31cm
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Norman Battershill, RBA, RCI (1922-2010), 'A late walk', Impressionist oil on canvas board, signed, 22 x 27cm
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1674
Frederick Coulson Davis (1891– ), ‘Falmouth Harbour, Devon’, signed, details verso, watercolour, 27 x 36cm
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1675
20th century, English School, Study of two cows in pastureland, indistinctly signed, pastel and mixed media, 36 x 56cm
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1676
Marjorie Cox (1915-2003), Study of a terrier named Jody, signed and dated 1989, heightened pastel, 40 x 39cm
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1677
Early 20th century School, Still life of flowers, porcelain and fruit, unsigned, oil on canvas, 42 x 47cm
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1678
Margaret Fisher Prout (ARA), ‘A Stroll in the garden’, unsigned, watercolour, mounted, unframed, 40 x 33cm
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1679
Victor Coverley- Price (1901-1988), Washerwomen, signed and dated 1971, oil on board, 34 x 44cm, ornate frame
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Anton Mauve (Dutch, 1838-1888), Study of resting cattle in a barn, signed, Fine Art Society inscribed label verso, watercolour, 25 x 35cm
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Late 19th / early 20th century, English School, Portrait of an Arab, unsigned, oil on canvas, stamp verso, 50 x 40cm
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Edwin Alexander (1870-1926), Sheep in a landscape, initialled, oil on board, 25 x 36cm
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1683
Sir William Russell Flint (1880-1969), 'Primavera', signed in pencil lower left, reproduction in colours, 23cm x 28cm
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1684
Edwin St. John (aka Frank Catano) (fl. 1880-1920), Italian lakeside view with figures, unsigned, inscribed to the mount, watercolour, 22 x 52cm
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Circle of Thomas Rowlandson (1756-1827), A group of men lighting torches in an interior, watercolour, 21cm x 33.5cm
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1686
After Samuel Howitt (1756-1822), Fox hunting scenes, set of four colour prints, together with a set of five smaller examples after the same artist, largest 32 x 44cm
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Impressionist style, ‘Boats, Lymington, New Forest’, oil on board, 54 x 68cm
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Luyuan Qing (Chinese, 20th. C), Study of egrets, signed, oil on canvas, 59 x 49cm, gilt frame
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18th century style, Riverscape with cattle and figures, oil on board, 48 x 70cm, ornate frame
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1690
Christina Brooke (Contemporary), 'Autumn Hedgerow', monogrammed and dated '61, oil on board, 60 x 60cm
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John Worsley (1919-2000), ‘Badger calls on Ratty and Toad’, signed and dated 1970, original illustration for Wind in the Willows, 50 x 63cm
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1692
John Worsley (1919-2000), 'Mole was amazed to see the otter disappear in a swirl of bubbles', signed and dated 1970, original illustration for Wind in the Willows, 50 x 63cm
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1693
John Worsley (1919-2000), ‘The four friends crept along the secret tunnel’, signed and dated 1970, original illustration for Wind in the Willows, 46 x 60cm
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A. Sickert, Venetian canal with gondola, signed, watercolour, 44 x 33cm
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1695
Christina Brooke (Contemporary), Portrait of an African mother and child, monogrammed and dated '57, 75 x 50cm
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Late 19th century school, Study of a standing nude male, heightened charcoal, 60 x 40cm
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1697
David Pratt (contemporary), ‘Barn owl, May in Cornwall’, signed, exhibited at the Mall Galleries in '1981' according to the inscribed label verso, oil on board, 77 x 50cm
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1698
19th century School, Study of three angels before a landscape, naive oil on wood panel, 32 x 47cm
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Kevin Pearsh (b.1951), Stylised embracing couple, signed, ink sketch, 20 x 27cm
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Early 20th century, English School, Shepherd and flock of sheep on a pathway, unsigned, oil on canvas, 39 x 59cm
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1701
After Andre Derain (1880-1954), three images from 'Le Satyricon', 1934, etchings, each 30cm x 25cm
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Decorative oil on board, Full length study of a nude woman, 77 x 45cm
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