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Live
Venue address
15 North Street
Lewes, East Sussex
BN7 2PD
United Kingdom
Weekly featuring Militaria and Medals - Monday 14th July 2025
Auction dates
Jul 14, 2025 09:30 AM BST
Viewing dates
Jul 11, 2025 08:30 AM - 05:00 PM BST
Jul 12, 2025 09:00 AM - 01:00 PM BST
Jul 14, 2025 08:00 AM - 09:30 AM BST
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Auction currency
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GBP |
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Buyer's premium
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25 % |
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Online commission
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2 % |
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We found 80 items matching your search
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Neil Forster (1939-2016), 'Horseguard', signed, pastel, 36 x 48cm
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Keith Holmes (b.1944), Battle scene, charcoal, details verso, 55 x 96cm
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A 19th century French terracotta bust of Mathurine de Vallois, 60cm
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374
A figural bronze award: Alternative Hair Show Award Vidal Sassoon for 50 Years Creativity October 1993, together with Vidal Sassoon Fifty Years Ahead, a photographic history of his work. Award 29cm wide x 25cm high.
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An early 20th century bronzed plaster bust "Summer" Signed H. Kent?, on oak base, 68cm
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434
Four ceramic painted plaques depicting landscapes to include ‘Upper Lake Killard’, three framed, largest 36cm wide
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451
Three pairs of small black figural abstract sculptures, together with two similar sculptures. (8). Tallest 15cm high
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464
A group of Austrian miniature cold painted bronze and spelter animal and bird figures, largest 6cm wide
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465
Sir Eduardo Paolozzi RA (1924-2005), three abstract plaster maquettes, signed, largest 12cm wide
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700
A decorative varnished oleograph, Jockey on horseback, horse racing interest, Studio M Canal stamp verso, 45 x 51cm, gilt framed
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701
Arthur Acland Hunt (fl.1863-1902), Children measuring their height, signed, oil on panel, 36 x 27cm, gilt framed
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George Finch Mason (1850-1915), Hunting scenes, each signed and inscribed, set of four ink sketches heightened with white, 34 x 44cm
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703
After C D Langley, Study of a bay horse, applied plaque to the ornate gilt frame, Studio M Canals stamp verso, decorative colour print on board, 18 x 24cm
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704
After C D Langley, Study of a bay horse, applied plaque to the ornate gilt frame, Studio M Canals stamp verso, decorative colour print on board, 18 x 24cm
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George Finch Mason (1850-1915), ‘Archer Wins!’ and ‘Findham Wins!’, each signed, pair of horse racing interest watercolours, 22 x 27cm
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... di Munro, Rocky gorge, unsigned, inscribed verso, watercolour, 12 x 16.5cm
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19th century, English School, Castle and lake, watercolour, 16.5 x 24.5cm
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710
E. Adams (19th. C), Riverscape and pathway, signed, pair of oils on board, 19 x 24cm, ornate frame
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711
Tom Rowden (1842-1926), 'Teigh Harvey Farm, Near Shaldon, Teignmouth', signed, watercolour, 26 x 42cm
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712
Manner of Myles Birket Foster RWS (1825-1899), Riverscapes with figures fishing, bears monogram, pair of watercolours, each 12 x 15cm, ornate gilt frames
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Modern British, Street scene with figures, oil, 12 x 13.5cm
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714
Eve Poland (contemporary), Abstract study of a cat, artist's stamp verso, oil on board, 24 x 28cm
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19th century, Persian School, Elephant and two ducks, ink inscription, watercolour, 17 x 20cm, mounted, unframed
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George Finch Mason (1850-1915), ‘How’s that Joby?, H’Out!’, signed and inscribed, cricketing interest watercolour, together with another, largest 28 x 23cm
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Billie Newey (Contemporary), untitled abstract composition, mixed media and oil, 24 x 18cm Provenance: The Tanyards Collection, East Sussex
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Two abstract compositions to include a dove, indistinctly initialled and dated '95, mixed media and oils, largest 33 x 34cm
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Ib Spang Olsen (Danish, 1921-2012), Study of a child sleeping, pencil sketch, signed, 39 x 52cm
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19th century, English school, Harbour view with figures and boats beyond, oil on canvas, yellow chalk marks verso, unframed, 71 x 101cm
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728
Billie Newey (contemporary), Tanyard trees, abstract acrylic on board, signed, 36 x 24cm Provenance: The Tanyards Collection, East Sussex
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Albert Pollitt (1856-1926), 'Shepherd', signed and dated 1911, watercolour, 24 x 41cm
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730
George Finch Mason (1850-1915), Horse racing scenes, one titled ‘Fordliam Wins!’, each signed, ex. Christie’s, pair of watercolours, 23 x 26cm
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Early 20th century, ‘Mr P. Roberts Dreams he Rides a National Winner!’, inscribed ‘A Christmas Card 1913’, caricature watercolour, 35 x 24cm
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Early 20th century, Riverscape, oil on board, 36 x 48cm, ornate frame
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733
William Lionel Wyllie (1851-1931), ‘ Sea Scouts at Old Portsmouth’ and one other, each signed in pencil, two etchings, 14 x 31cm
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734
Manner of Francis Wheatley (1747-1801), 'A country girl reading', charcoal heightened with white, unsigned, 14 x 12cm
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735
20th century, Continental still life of roses in a vase, indistinctly signed lower right, oil on canvas, 60 x 80cm, ornate gilt frame
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Alfred Edward Borthwick RSA (1871–1955), Landscape with trees and lake beyond, signed and dated 1931, oil on board, 35 x 45cm Provenance - owned and passed down the generations of the vendors family
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737
Emerson Harold Groom (1890-1983), Passing Gleams, South Benfleet, Essex, signed, watercolour, 32 x 45cm
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19th century, set of six Bachelor's Hall hunting prints (plates 1-6), 30 x 38cm
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740
English school, mid 19th century, Portrait of a young girl holding a tambourine, pastoral on paper laid on canvas, 73 x 60cm, ornate gilt frame
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741
George Finch Mason (1850-1915), ‘Alas! At the Second Fence the Geisha Refused’, ‘The Last Hurdle, Come Along, Geisha!’ and one other, each signed and inscribed, set of three watercolours, 24 x 34cm
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742
Richard Wood (b.1950), 'Morning mist, Venice', signed, inscribed verso, oil on canvas, 53 x 71cm
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19th century, colour print, ‘Andromeda’, unsigned, 51 x 59cm, applied plaque to the gilt frame
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744
Chris Orr (b. 1943), 'Convictions in the Kitchen', 1982, signed, titled and numbered 43/50 to the margin, etching and aquatint, 17cm x 37cm
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745
19th century, British School, Portrait of Mrs Burgh, signed and dated 1881, oval oil on canvas, gilt frame, 57 x 50cm
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746
Jean Baptiste Valadié (French, b1933), Mother and child before boats, signed, oil on canvas, 72 x 53cm
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Valda Bailey (contemporary), abstract figures comprising ‘Without Rest or Pause’ and ‘Infinite Aloneness’, inscribed in pencil, one signed and limited edition, two photographic prints, each 45 x 40cm Provenance: The Tanyards Collection, East Sussex
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Contemporary, Abstract landscape, unsigned, mixed media, 36 x 49cm Provenance: The Tanyards Collection, East Sussex
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750
Valda Bailey (contemporary), abstract compositions to include ‘Back to Blue’, each signed in pencil, three photographic prints, largest 33 x 45cm Provenance: The Tanyards Collection, East Sussex
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751
Valda Bailey (Contemporary), Abstract compositions to include ‘New Shoots’, ‘Through a Greenhouse Darkly’ and ‘A Strange Absence’, each signed in pencil, some limited edition, five photographic prints, largest 39 x 49cm Provenance: The Tanyards Collection, East Sussex
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J C V Brooks, Riverscape with church beyond, signed verso, impasto oil on canvas, 44 x 67cm
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753
Anthony Amies (1945-2000), Rocky coastal view and hedgerow, each signed and dated '79 and '80, two oils on canvas, largest 76 x 92cm, one framed
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Won
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754
DI (20th century), A study of clothes strewn over a chair, signed lower right, pastel on paper, 58cm x 37cm
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755
Tara Ford (Contemporary), Impressionist landscape, oil on board, signed with conjoined monograms, 90 x 100cm
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Late 19th / early 20th century School, Venetian landscape with gondolas and St Marks Square, unsigned, watercolour, 40 x 72cm
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David Cox (1783-1859), Coastal scene with fisherman, signed, watercolour, 23 x 36cm
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Albert Pollitt (1856-1926), 'Kelp Gatherers', signed and dated 1906, watercolour, 27 x 44cm
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759
Peter Welton (b. 1933), 'The New Number One Court, Wimbledon', signed and numbered 300/850 to the margin, lithograph in colours, the image 36cm x 30cm
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761
Graham Clarke (b.1941), 'Song of Samuel', signed in pencil, limited edition 116/250, etching with aquatint, 37 x 56cm
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762
Graham Clarke (b.1941), 'Left right oops!' and 'December', two etchings with aquatint, each signed in pencil and limited edition, largest 38 x 57cm
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