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Live
Venue address
15 North Street
Lewes, East Sussex
BN7 2PD
United Kingdom
Weekly featuring Toys and Transport - Monday 10th November 2025
Auction dates
Nov 10, 2025 09:30 AM GMT
Viewing dates
Nov 07, 2025 08:30 AM - 05:00 PM GMT
Nov 08, 2025 09:00 AM - 01:00 PM GMT
Nov 10, 2025 08:00 AM - 09:30 AM GMT
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Auction currency
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GBP |
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Buyer's premium
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25 % |
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Online commission
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2 % |
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We found 54 items matching your search
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Featured lot
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A late 19th century giltwood and composition pier glass, width 83cm, height 145cm
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A pair of modern bronze models of greyhounds, length 70cm, height 51cm
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382
David French, oil on board, a portrait of the BR railway locomotive Merchant Navy Class No.35022, Holland America Line at Bournemouth West with a rake of Pullman cars, signed and dated 2011
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Terrence Cuneo, a signed framed railway print; ‘Night King’, of GWR King class 4-6-0 tender locomotive, King George V, running at night, signed in pencil with dedication within the margin, overall dimensions; 73.5 x 115.5cm
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Two framed and signed motor racing lithographs by Anthony Heal and Walter Hassan of Le Mans and Brookslands racing scenes, the largest frame 61.5 x 76cm, together with a folio containing a large number of unframed similar prints with many duplicates of the same, provenance Philip Greenwood, The Benjafields Racing Club
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Indo-Persian school(19th century), Mughal court scenes, Two gouache miniature paintings One inscribed in Persian script, staining to borders Inscribed picture 18cm x 26.5cm, the second including borders 16.5cm x 26.5 cm
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Jean-Antoine Injalbert (1845-1933) - patinated bronze portrait bust, on green onyx base, 20cm
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After Pierre-Jules Mene (1810-1879), a bronze hunting group on marble base, 18cm
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John Skelton (1925-2009), Botanical studies, each signed and dated, three watercolours and a pencil study, largest 30 x 22cm Provenance: from the artist's family
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John Skelton (1925-2009), ‘Nutley Mill’ and a view of a church, each signed and dated '79 and 1995, two watercolours, largest 29 x 35cm Provenance: from the artist's family
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727
John Skelton (1925-2009), ‘Pont Du Cheval, Bruges’, signed and dated '59, oil on canvas-board, 28 x 24cm
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Tim Mara (1948-1997), 'Glove', signed and dated 1994 in pencil, limited edition 38/50, screenprint, 27 x 27cm
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729
Maud Kennedy (20th / 21st C.), ‘Snow Melting on the Downs From Lewes Dec 1981’, watercolour, 13.5 x 20cm
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730
Ferraro, two seated figures before a landscape, unsigned, label verso, impressionist oil on board, 23 x 26cm
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Mid century School, Cottages at Rockport, unsigned, oil on board, 30 x 39cm
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733
R. E. Cowderoy, Botanical studies, set of three watercolours framed as one, together with a 19th century watercolour of Glengarill, Cork and an oil painting by Sue Broadley, largest 12.5 x 17cm
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734
Alexander Day (1772-1841), Portrait of Marie Marshall, inscribed verso in pencil, unsigned, oval watercolour, 19 x 12cm, housed in an embroidered mount and gilt frame
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735
Three watercolours comprising H. Percy Heard, Coastal view, B. Whitmore, Girl beside chickens and C. Gilles, town scene before a cathedral, largest 36 x 19.5cm
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Cyril Ward (1863-1935), Moored fishing boats, signed, watercolour, details verso, 25 x 17cm
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738
Hal Bevan-Petman (Scottish, 1894-1980), Portrait of a military officer and a companion portrait of a lady, two oils on canvas, both signed, largest 59 x 43cm
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Wilson, ‘1879 Xmas Beauties’, signed and inscribed with verses, pen and ink study, 53 x 35cm
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740
20th century, Comical study of a cat smoking a cigar, indistinctly signed, ink and watercolour, 36 x 30cm
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20th century School, 'Fionns Spring', unsigned, mixed media and oil, 41 x 21cm
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742
Henry John Lintott (1877-1965), Portrait of the artists wife, Audrey, unsigned, partial label and The Arts Council of Great Britain label verso, oval oil on board, 49 x 40cm, gilt framed
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743
H. Joyner, Interior scene, signed, oil on card, inscribed verso 'A little souvenir of a delightful visit from my point of view', monogrammed and dated 1917, 24 x 19cm, ornate gilt frame
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744
Pamela Day, 'Within the daylight left', signed, Chichester House Gallery label verso, impasto oil on board, 29 x 44cm
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745
Henry G. Moon (1857-1905), Landscape with autumnal trees, possibly Ashdown Forest, signed in ink to the stretcher verso, 39 x 48cm, applied plaque to the ornate gilt frame, oil on canvas board
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Mid Victorian School, Three-masted British ship in an estuary, maritime interest watercolour on card, 18 x 31cm
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747
G. Evans (19th. C), Portrait of Queen Victoria wearing ermine before a landscape, signed and dated 1859, 77 x 52cm, applied plaque to the gilt frame, oil on canvas
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748
Bertram Priestman (1868-1951), Landscape with cattle grazing before church, initialled and dated '22, watercolour, 25 x 36cm
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749
Late 19th century English School, Sheep grazing on a hillside, unsigned, mixed media and charcoal, 44 x 64cm
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20th century school, study of a seated nude woman, unsigned, unframed, oil on board, 46 x 29cm
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751
Muriel Rose (1923-2012), ‘Grotto, Corby Castle, River Eden’, signed, Chelsea Art Society inscribed label verso, oil on canvas, unframed, 51x26cm
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Malcolm Milne (1887-1954), Still life of flowers, watercolour, 34 x 22cm
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Edward Wakeford (1914-1973), Self Portrait, unsigned, details verso, oil and collage on artists board, 51 x 26cm, unframed
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754
Continental School, 20th century, Head and shoulders portrait of a lady, oil on canvas, indistinctly signed, 50 x 40cm, unframed
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Robert Carey Sinker (1898-1967), landscape scene, signed and dated ‘59, oil on board, 19 x 28cm
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756
Early 20th century, English school, head study of a young girl, pencil, indistinctly signed, dated 1929, 27 x 18cm
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757
After Sir William Nicholson (1872-1949), twelve woodblock-style colour lithographs from ‘The Almanac of twelve sports’ / ‘The Sporting Calendar’, circa 1895, 22 x 22cm
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Berenice Benjelloun (20th Century), ‘Marriage’, signed, limited edition 15/15, colour print, 29x38cm
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Alexander Stewart, ‘Buchlyrie Church, Sterling, Scotland’, signed, watercolour, 25.5 x 33cm
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Hervey Adams (1903-1996), Moorland view with windmill, signed, watercolour, 35 x 55cm
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762
After Toshusai Sharaku (1770-1825), 'Masterpieces by Sharaku', set of six Japanese woodcut prints, 17.5 x 12cm
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Charles Cooper Henderson (1803-1877), Coaching scene in snow, unsigned, oil on canvas, 62cm x 75cm Provenance: According to a handwritten label verso, this work was given by the artist to his friend and patron John Congreve Esq. of Stony Stratford.
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Walter Taylor (1860-1943), view in the south of France, signed, watercolour, 31 x 38cm
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W. Ramsey (19th. C), woodland scenes, each signed, two watercolours, 25 x 34cm
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J. Callani(?), still life of flowers in a vase, signed, oil on canvas, 39 x 49cm
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767
Dennis Flanders (1915-1944), ‘Ripon Cathedral’, signed and dated April 1943, watercolour, 37 x 52cm
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Percy Lancaster RI, RBA, ARE, (1878-1951), 'Hexham', signed, watercolour, 23 x 33cm
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769
Schelte Adams à Bolswert (1586-1659) after Peter Paul Rubens (Flemish, 1577-1640)’, ‘The Rainbow Landscape’, hand coloured coloured engraving, 34 x 46cm
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770
Robert Cruikshank (1789-1856), humorous figural scene, signed and inscribed, watercolour and pencil, 15 x 14cm
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771
Chinese School, 19th century, figural studies, five pith paper paintings, framed as two, 27 x 17cm
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Contemporary School, Medieval maiden before a knight, unsigned, gouache, 46 x 27cm
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845
A late 19th/early 20th century Russian 84 zolotnik cream jug, with engraved decoration and angular feet and handle, master Andrei Ivanov, 1908-1917 kokoshnik mark, height 11.6cm, together with a similar single handled small caviar pot?, same maker, Moscow, both with later 1927-1958 marks.
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