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Live
Venue address
15 North Street
Lewes, East Sussex
BN7 2PD
United Kingdom
Art & Design Post 1880
Auction dates
Jul 21, 2026 10:00 AM BST
Viewing dates
Jul 17, 2026 08:30 AM - 04:30 PM BST
Jul 18, 2026 09:00 AM - 01:00 PM BST
Jul 20, 2026 08:00 AM - 04:30 PM BST
Jul 21, 2026 08:30 AM - 10:00 AM BST
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Auction currency
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GBP |
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Buyer's premium
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25 % |
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Online commission
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2 % |
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We found 57 items matching your search
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§ Billy Childish (b. 1959) & Jamie Reid (b. 1947) 'God Save Margaret Thatcher' 2013, giclee with attached safety-pin on distressed paper, from an edition of 200 52cm x 70cm
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After Edgar Brandt (French, 1880-1960): A gilded iron group of two entwined serpents, raised on a marble plinth, 121cm high x 66cm wide
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Luis Pérez de la Oliva (Spanish fl. 1960s-1980s) for Fase: A patinated metal desk lamp, model 520c, 1960s, 40cm high
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Attributed to Jumo: An articulated black japanned and chrome desk lamp, in the style of Charlotte Perriand (French, 1903-1999) approximately 44cm high
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Morris and Co: An 'Embroidery' design carpet from the 'Classic' collection, wool, hand-knotted in Nepal, 242cm x 299cm
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Morris and Co: A 'Macalle' design carpet from the 'Amitayus' collection, wool, hand-knotted in Nepal, 172cm x 242cm
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Morris and Co: An 'Autunno' design carpet from the 'Amitayus' collection, wool, hand-knotted in Nepal, 176cm x 241cm
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Morris and Co: A 'Deco Empty' design carpet from the 'Amitayus' collection, wool, hand-knotted in Nepal, 237cm x 273cm
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An Art Deco walnut and burr walnut glazed display cabinet, the central circular cabinet with two glazed doors enclosing glass shelves, with well figured supports and base, 143cm high x 143cm wide x 33cm deep
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An Art Deco style four-fold screen, with bookmatched burr wood veneer and geometric chevron and diamond marquetry banding, within ebonised borders, the lower edge with moulded ebonised apron, each leaf 171cm x 44cm
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A pair of Art Deco style slipper lounge chairs, each with a shaped upholstered back and seat, enclosed by laminated bentwood scroll arms, raised on shaped block feet, upholstered in a button-backed geometric patterned fabric, 83cm high x 68.5cm wide x 96cm deep
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Heal's of Tottenham Court Road: A Cotswold School style limed oak dresser/sideboard, the rectangular top above two central drawers flanked by cupboards, raised on square-section supports united by a low stretcher, with button label to the fitted upper drawer, 89cm high x 129cm wide x 45cm deep
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Charles Rennie Mackintosh (1868-1928) for Cassina: A Modern 'Hill House' chair, c.1990, the ebonised rectilinear frame with green velveteen upholstered drop-in seat, stamped, 140.5cm high x 41cm wide x 35cm deep
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Eileen Gray (1878-1976) for Aram Designs: A ‘Double X’ design dining table, originally designed in 1928, The rectangular polished plate glass top raised on a polished chromium plated tubular steel legs and frame, 225cm wide x 110cm deep x 71cm high Provenance: Purchased from ARAM London, 2019
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Manner of Le Corbusier (French/Swiss, 1887-1965): A pair of 'LC2' style lounge chairs, of chrome tubular structure holding shaped black leatherette cushions to back, sides and seat, each 66cm high x 76cm wide x 70.5cm deep
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Manner of Le Corbusier (French/Swiss, 1887-1965) for Cassina: An 'LC2' three seater sofa, of chrome tubular structure holding shaped black leatherette cushions to back, sides and seat, 65cm high x 180.5cm wide x 70.5cm deep
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Lucian Ercolani (Italian, 1888-1976) for Ercol: A pair of Model 514 'Cowhorn' elbow chairs, from the 'Windsor' range, golden elm and beech, standing on turned legs united by stretchers with panel seat, shaped gallery back rests with spindle supports, manufacturer's label to the underside, 89cm high x 59cm wide x 52cm deep
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René Herbst (French, 1891-1982): A set of six 'Sandows' dining chairs, probably Alivar, circa 1990, the nickel plated frames with elasticated cord seats and backs, each 81cm high x 42cm wide x 47cm deep (6)
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Vittorio Dassi (Italian, (1893-1973) A pair of organic shaped coffee tables, the oval glass tops resting on biomorphic hardwood supports, raised on marble base and brass pedestal, manufactured by Dassi Turin, ca.1930/40s, 120cm long x 60cm wide x 42cm high Vittorio Dassi was an influential Italian furniture designer and manufacturer known for his contribution to postwar Italian modernism during the 1950s and 1960s. Working through the family company, Dassi Mobili Moderni in Lissone, he developed a refined design language that combined exceptional craftsmanship with elegant modern forms. His furniture is distinguished by clean lines, sculptural detailing, and the use of luxurious materials such as rosewood, brass, marble, and glass. Today, Dassi’s work is highly regarded for its timeless sophistication and remains sought after by collectors of Italian mid-century design.
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Alvar Aalto (Finnish, 1898-1976) for Artek: A pair of 'Model 66' chairs, originally designed in 1935, bent birch and moulded plywood, the curved backrest supported by Aalto's characteristic laminated L-leg construction, one with Finmarr Ltd., applied label, the other lacking label but showing impressions of where it was placed, each 78cm high x 39cm wide x 42cm deep
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Arne Jacobsen (Danish, 1902-1971) for Fritz Hansen: An 'Egg' lounge chair, originally designed in 1958 for the SAS Royal Hotel, Copenhagen, 1960s, upholstered in black leather and raised on an aluminium swivel base, 107cm high x 86cm wide x 74cm deep
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Manner of Arne Jacobsen (Danish, 1902-1971) for Fritz Hansen: An 'Egg' lounge chair, upholstered in patterned patchwork fabric and raised on an aluminium swivel base, 107cm high x 86cm wide x 74cm deep
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Quantity
1
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Estimate
2,000 - 3,000 GBP
Charles and Ray Eames (American 1907-1978 and 1912-1988) for Hermann Miller: A 'Model 670' Lounge chair, Santos palisander plywood, leather, aluminium, Herman Miller label to the underside, the lounge chair: 80cm high x 84cm wide x 86cm deep
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Manner of Charles and Ray Eames (American 1907-1978 and 1912-1988) for Hermann Miller: A lounge chair and ottoman, model nos. 670 and 671, teak, plywood, leather, aluminium, the lounge chair: 84cm high x 84cm wide x 76cm deep, the ottoman: 44cm high x 65cm wide x 54cm deep
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Finn Juhl (Danish, 1912-1989) for France & Son: A 'Diplomat' teak writing desk, the rectangular top over a single hanging cabinet fitted with two drawers, on tapering rectangular legs, France & Son button label to the underside, 72cm high x 143cm wide x 77.5cm deep
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Finn Juhl (Danish, 1912-1989) for Niels Vodder: An 'NV-40' teak desk, 1950s, the sloped writing surface lifting to reveal a vacant interior for storage, with three smaller compartments with flush brass fittings, raised on four tapering cylindrical legs conjoined by stretchers, 75cm high x 66cm wide x 65cm deep
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Hans Wegner (Danish, 1914-2007) for Carl Hansen & Søn: A pair of 'Model CH24' wishbone chairs, originally designed in 1950, oak frames and weaved paper cord seats, each 73 high x 55cm wide x 52cm deep
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Torsten Johansson (Swedish, 1917-1996) for AB Formtra: A 'Vinstativ' wine rack, of honeycomb design, with space for eight bottles, 41cm x 32cm x 18cm
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Ib Kofod-Larsen (1921-2003) for Selig: A 'Penguin' lounge chair, 1950s, the curved plywood backrest stamped "BACK MADE IN DENMARK", 73cm high x 54cm wide x 60cm deep
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Alf Svensson (Swedish, 1923–1992) for Bodafors: An Indian rosewood reversible top foot stool, 1960s, the drop-in padded top upholstered in red leatherette, turning over for use as an occasional or coffee table, 39cm high x 52cm wide x 52cm deep
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Kerstin Hörlin-Holmquist (Swedish, 1925-1997) for Nordiska Kompaniet: A 'Stora Eva' lounge chair, from the 'Paradiset' range, originally designed in 1958, the high winged back with shaped cresting rail and button-tufted upholstery, the outswept arms enclosing a loose seat cushion, raised on tapering stained beech legs, 137cm high x 66cm wide x 76cm deep
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Arne Vodder (Danish, 1926-2009) for Sibast: A teak rocking chair, 1960s, the concave top rail over a stick back and angular arms with upswept terminals, above a concave seat in floral upholstery, on tapered supports and chamfered rockers, 95cm high x 56cm wide x 66cm deep
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Holger Georg Jensen (Danish b. 1927) for Kubus: A teak coffee table, the circular sunburst radial top raised on sculptural supports, 54.5cm high x 74cm diameter
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A pair of mid-century Danish design side chairs, 1960s, each with a padded rectangular back and stuff-over seat upholstered in black leatherette, within a teak frame raised on tapering legs, 87cm x 48cm x 51cm
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Frank Guille (1927-2018) for Kandya: Three 'Program' bar stools, originally designed in 1958, with cream vinyl seats raised on white coated tubular stretchered supports, 88cm high x 44cm wide x 38cm deep
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Robert Heritage (1927-2008) for Archie Shine: A mid-century Indian rosewood extending dining table and six chairs, the circular topped table raised on six cross-stretcher legs, with two additional leaves, 73cm high x 122 diameter (282.5cm wide extended); the chairs with black leatherette seat pads and back rests, 76cm high x 56cm wide x 48cm deep
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Robert and Dorothy Heritage for Heals: A mid-century ebonised and decorated credenza, circa 1950, the rectangular top with gallery back above three frieze drawers with stylised repeating oval decoration, over three cupboard doors each decorated with an architectural garden pavilion within a landscaped setting, the ebonised case raised on tapering supports with brass caps, 87.5cm high x 137cm wide x 43cm deep
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Manner of Eddie Harlis (German, 1928-1985) for Thonet: A bent walnut plywood and copper studded tub chair, similar to Harlis's 'ST664' chair, possibly a prototype, with black metal legs and cruciform stretchers, 93cm high x 95cm wide
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Manner of Uldum Møbelfabrik: A pair of mid-century teak floating bedside tables, 1960s, each with a single drawer, 25.5cm high x 37cm wide x 19.5cm deep
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Kai Kristiansen (Danish, b. 1929) for Fritz Hansen: A set of five '4110' teak dining chairs each with a gently curved rectangular backrest above a black upholstered seat, raised on tapering square-section legs, retailers labels to the underside, 72cm high x 49cm wide x 44cm deep; together with an associated dining table, the rectangular top with rounded corners above a plain frieze, raised on square-section tapering legs united by shaped corner brackets beneath (6)
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Kai Kristiansen (Danish, b. 1929) for Vildbjerg Møbelfabrik: A teak 'Elevator' metamorphic coffee/dining table, 1960s, branded "VM Made in Denmark" to the underside, 52cm high x 120cm wide x 60cm deep (closed), 70cm high x 120cm wide x106.5cm deep (extended)
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Kai Kristiansen (Danish, b. 1929): A teak bow-front chest of five drawers, 1960s, the drawers with cut-out handles, above four tapering legs joined by stretchers, 77cm high x 60cm wide x 31cm deep
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A teak mid-century sideboard, 1960s, the rectangular top above an arrangement of sliding cupboard doors enclosing shelved interiors, flanked below by further cupboard doors and banks of drawers, raised on square-section supports, 84cm high x 200cm wide x 34.5cm deep
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Hans C. Andersen (Danish, 20th century) for Artex: A set of three stacking hexagonal teak occasional tables, each 37cm high x 42cm wide x 42cm deep (3)
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Estimate
3,000 - 5,000 GBP
Ueli Berger, Eleonora Peduzzi Riva, Hans Ulrich and Klaus Vogt for De Sede: A 'DS-600', 'Non-Stop' or 'Snake' modular sofa, designed in 1972, 1970s/80s, in twelve sections, upholstered in dark brown leather, 90cm high x 124cm wide x 47cm deep
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Gerd Lange (German, 1931-2025) for Thonet: A pair of 'Flex 2000' elbow chairs, moulded polypropylene shells on bent beechwood supports and solid beech legs, stamped "Thonet", each 76.5cm high x 51.5cm wide x 44cm deep Gerd Lange's innovative Flex 2000 seating programme was a pioneering series that combined injection-moulded plastic with timber construction. The model is regarded as a significant example of 1970s German industrial design, reflecting Lange's commitment to ergonomic functionality and efficient mass production.
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Philippe Starck (French, b. 1949) for Kartell: A group of seven 'La Marie' chairs, comprising three transparent red examples, three transparent violet examples and one transparent clear example, each moulded from a single piece of polycarbonate, with rectangular seat and gently curved back, each 86.5cm high x 38.5cm wide x 55cm deep (7)
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A Prince of Wales Investiture chair, designed in 1969 by the Rt. Hon Antony Armstrong-Jones (1st Earl of Snowdon), Carl Toms and John Pound, red stained beech, the back gilt indented with the Prince of Wales's feather motif, the seat upholstered in red Welsh tweed, 77.5cm high x 54cm wide Note: The investiture of the now King Charles III was held at the medieval Caernarfon Castle on 1st July 1969. Following the ceremony these chairs were dismantled and offered for sale 'flat-pack', with the attendant guests having first refusal to purchase. The remainder were then offered to the public.
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A modernist cantilever lounge chair, second half 20th century, the upholstered shell with swept arms and loose seat cushion, covered in leopard-pattern fabric, supported on a tubular chrome cantilever frame, 80cm high x 62cm wide x 56cm deep
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Angie Anakis (American/French, b. 1955) for Ligne Roset: A 'Rythme' glass-topped coffee table, the circular glass top supported on a red lacquered tubular steel frame of asymmetrical scrolling form, 32cm high x 109cm wide x 92.5cm deep
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Pols Potten: A 'Peggy' lounge chair, the shaped upholstered wing back above a loose lumbar cushion and seat cushion, within a stained timber frame with curved arms and tapering supports, manufacturer's label to the underside, 84cm high x 63cm wide x 70cm deep
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Wales & Wales of Chiddingly: A 'Ludlay' console cabinet, the fumed and limed oak cabinet with inset red stained top above a pair of doors opening to reveal a single shelf interior, 100cm high x 115cm wide x 39cm deep Provenance: The Property of Lady and the late Lord Lloyd of Berwick, removed from Ludlay, Polegate, East Sussex
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Wales & Wales of Chiddingly: A 'Slant' tall chest of drawers, with stamped mark dated 2003, of oak slats with steel highlights, 169cm high x 51cm wide Provenance: The Property of Lady and the late Lord Lloyd of Berwick, removed from Ludlay, Polegate, East Sussex
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Manner of Wales & Wales of Chiddingly: A stylised stick stand, with curved sheet metal front and shaped slate base, 95cm high x 45cm wide Provenance: The Property of Lady and the late Lord Lloyd of Berwick, removed from Ludlay, Polegate, East Sussex
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Ralph Lauren (American, b. 1939): A 'Hither Hills' circular oak diing table and six dining chairs, the circular extending top with a moulded edge and fluted frieze, raised on twin pedestal supports with fluted columns, carved Ionic scroll terminals and downswept trestle bases joined by a central stretcher, 77cm high x 217cm long x 162cm wide (extended); the model 1905-27 chairs with a shaped horseshoe backs and downswept arms enclosing a leather-upholstered seat, and nailhead trim throughout, raised on tapering legs with brass caps, each 77cm high x 67cm wide x 72cm deep
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William Yeoward: A 'Capstan' circular dining table and six Victorian style dining chairs, the table top with radiating figured timber veneers, raised on a substantial pedestal base formed from vertical slatted elements issuing from a circular plinth with block feet, 74cm high x 173cm diameter; the chairs with a shaped rectangular back surmounted by a carved crest rail, the padded backs and seats upholstered in patterned fabric, raised on turned and fluted front legs with brass caps and castors, the rear legs outswept, SIZE
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Timothy Oulton (1967-2022) X Coco Republic: A contemporary marble topped dining table, the specimen marble 'perspective cube' design top raised on a 'Yakisugi' style trestle base with triangular shaped supports and a single stretcher, 76cm high x 250cm long x 93.5cm wide
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