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Live
Venue address
15 North Street
Lewes, East Sussex
BN7 2PD
United Kingdom
House & Garden Sale
Auction dates
Aug 10, 2026 10:00 AM BST
Viewing dates
Aug 07, 2026 08:30 AM - 05:00 PM BST
Aug 08, 2026 09:00 AM - 01:00 PM BST
Aug 10, 2026 08:30 AM - 10:00 AM BST
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Auction currency
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GBP |
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Buyer's premium
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25 % |
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Online commission
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2 % |
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We found 68 items matching your search
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A group of four Art Nouveau-style decorative items: a resin bust after 'Carmela' by Emmanuel Villanis, raised on a black plinth, height 23cm; a resin hooded bust of a young woman after H. Muller; a shaped gilt-metal easel mirror decorated with a maiden; and a shaped dish with cast reclining maiden and trailing ivy to the border. (4)
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1976 Niederthäler Hof Böchinger Bischofskreuz Beerenauslese. (16)
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1298
Tamami Shima, ‘Nostalgia’ and Tsuruya Kokei (b.1956), Onoe Kikugorô VII as Gosho no Gorozô, one signed in pencil nd limited edition of 100, two woodblock prints, unframed
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1307
A collection of sixteen Chinese hard stone carvings to include a goldstone Buddha and a malachite example, together with two wood stands, largest 15cm wide
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1327
A rectangular plaster relief plaque, after Bertel Thorvaldsen, depicting the "Ages of Love" (or classical allegorical frieze) with figures in classical drapery, putti, and attendant maidens, in a moulded rectangular frame; 27 x 63cm.
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1329
A pair of classical plaster relief plaques, after Thorvaldsen, "Night and Day," each depicting a winged allegorical figure in white relief on an olive-yellow ground, "Night" with attendant putti, "Day" with an eagle; diameters 29cm.
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1339
° ° Sayer (Robert, publisher). - The Artist’s Vade Mecum; being the Whole Art of Drawing Taught in a New work Elegantly engraved on One Hundred Folio Copper Plates; Containing Great Variety of Examples in every Branch of that noble Art: as Parts of the Face, Heads, Hands, Feet, Academy, Antiques; and Groups of Figures Beasts, Birds, Insects, Flowers, Fruit, Shells, Ornaments, Buildings, Landscapes, &c. &c. &c. Collected from the Works of the Greatest Masters. To which is prefixed, An Essay on Drawing: with Introductory Rules for the Use of Learners: in which The First Principles of that useful and noble Art are explained in such Manner that it may be attained in a short Time without a Master. First edition: 99/100 numbered copper engraved plates, contemp. calf over marbled boards. 4to.
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1366
Lee Miller interest; three exhibition posters including a Victoria & Albert Museum limited edition poster with covering letter provenance, largest 76.5 x 51cm (3)
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1701
Spencer Roberts (1920-1997), John Dory fish and shrimps, signed and dated ‘54, mid century pastel and watercolour, 35 x 42cm
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Herbert James Gunn (1893-1964), mountainous lakeside landscape, signed, watercolour, 38 x 52cm
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Continental school, Italianate landscape, mixed media, 36 x 54cm
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After Antonio Bencini, figures in a palace setting, unsigned, watercolour, 32 x 50cm
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1705
After Joseph Mallord William Turner, 'St Benedetto, towards Fusina’, unsigned, watercolour, 32 x 50cm
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Zabelle C. Boyajian (1873-1957), ‘The Boy Artist’, signed, oil on canvas, 45 x 39cm
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19th century, English school, chickens in a yard, oil on board, 23 x 28cm
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1708
Attributed to George Mears (1865-1910), Chain Pier, Brighton, before and after, one dated Dec 8th ‘96, a pair of oils on board, housed in carved wood frames, 17 x 34cm
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Ken Moroney (1949-2018), ‘The Waiter’, signed, oil on board, 25 x 16cm
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1710
Edward Vuillamy (1876-1962), windmill on Sussex downs, signed and dated 1909, watercolour, 17 x 31cm
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1711
Janet Cree (1910-1992), study of sheep on the downs at Glynde with view to Firle Beacon, signed, watercolour and gouache, 22 x 34cm
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Sally Scott (b.1939), mountainous landscape, signed, pastel, 15 x 22cm
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1714
John Miles (British, 20th century), 'Canal de Bourgogne', watercolour, signed and dated 1991 to lower left, 18 x 34cm
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After Robert Henry Rowe, Stag and Deer, bears signature, oil on board, 29 x 39cm
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A. B. Lucas, still life of flowers, signed and dated 1894, oil on canvas, 19 x 14cm
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1718
John Foulger (1942-2007), ‘The Marsh Flood', signed, oil on board, 19 x 24cm Provenance - purchased from the artist in 1979
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1719
Glynn Thomas (b.1946), ‘Amsterdam’ and ‘River House’, each signed in pencil and limited edition, two etchings with aquatint, 37 x 15cm
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1720
Marian Kratochwil (Polish, 1905-1997), 'Andalusia’, oil on card, laid on board, signed and inscribed verso, unframed, 36 x 28cm Provenance: The collection of John Parfitt (British, 1939–2025), master printer and facsimile specialist; educated at Camberwell School of Art and the London College of Printing; associated with The Westerham Press, Edenbridge; renowned for his faithful reproduction of fine art and historical documents, including facsimile editions of the Domesday Book, the Magna Carta and the Mappa Mundi; Fellow of the Royal Society of Arts; member of the Wynkyn de Worde Society, the Double Crown Club and the Typophiles of New York; presented to Her Majesty Queen Elizabeth II in 1986 for his work on the Domesday Book; personal clients included Bridget Riley, David Hockney, John Piper and Ben Nicholson, among others.
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Bob Godfrey, Custard from Roobarb and Custard, original felt pen study, stamped, 22 x 30cm
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1722
Francis Browne Tighe (British, 19th/20th century), 'A Sultry Day, Winchelsea', signed lower right, watercolour, 32 x 22cm,
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1723
20th century, sleeping figures with figures with onlookers signed with monogram, oil on panel, 13 x 20cm
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19th century, tavern scene with figures drinking and smoking, oil on panel, 17 x 21cm
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1726
Henry Wilkinson (British, 1921–2011), ‘Springer Spaniel’, ‘Yellow Labrador’, ‘English Setters on the Scent’ and ‘Irish Red Setters in rural landscapes’, a set of four limited edition hand-coloured etchings, each signed and numbered in pencil, framed, glazed and mounted, largest 25 x 34cm within mount, overall 49 x 59cm. (4) Limited editions numbered: 51/250; 14/250; 95/150; 106/150
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George Haydock Dodgson, study of a north Wales stream with an angler, signed and dated ‘72, watercolour, 43 x 71cm
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19th Century school, portrait of a lady in mourning dress before gothic ruins, unsigned, watercolour, 47 x 37cm
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Stephen Frank Wasley (1848-1934), Venetian scene, signed, watercolour, 33 x 52cm
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Juliet Pannett (1911-2005), portrait of Augustus Edwin John, signed, charcoal, 38 x 27cm
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1731
Attributed to Sidney Nolan (Australian, 1917-1992), ‘Footballers’, unsigned, a pair of gouaches, circa 1930-1940, 24 x 34cm Ex. Christie’s
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1732
Aldo Balding (British, b. 1960), 'Paris Au Printemps', oil on canvas, signed lower left, titled verso, 44 x 36cm Provenance: The collection of John Parfitt (British, 1939–2025), master printer and facsimile specialist; educated at Camberwell School of Art and the London College of Printing; associated with The Westerham Press, Edenbridge; renowned for his faithful reproduction of fine art and historical documents, including facsimile editions of the Domesday Book, the Magna Carta and the Mappa Mundi; Fellow of the Royal Society of Arts; member of the Wynkyn de Worde Society, the Double Crown Club and the Typophiles of New York; presented to Her Majesty Queen Elizabeth II in 1986 for his work on the Domesday Book; personal clients included Bridget Riley, David Hockney, John Piper and Ben Nicholson, among others.
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1735
After Sir Peter Markham Scott, three limited edition prints to include ‘American Goldfinch’, each framed, largest 15 x 10cm
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1736
Yoshitoshi Mori (Japanese, 1898-1992), samurai warrior & temple guardian, two woodblock prints, unframed, 43 x 30cm
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1737
Clifton Karhu (American, 1927-2007), Caplan I, III, IV and VII, limited edition 8/50, signed in pencil, a set of four woodblock prints, unframed, 36 x 20cm
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1738
J. Yamamoto, (Japanese, early 20th century), collecting shells, gouache, together with a Japanese school, late 19th/early 20th century, two lady courtesans in embrace, gouache, both unframed, largest 49 x 22cm
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1739
Sora Mitsuaki (b.1933), abstract forms, signed in pencil, limited edition of 100, two woodblock prints, unframed, 32 x 47cm
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A. M. Holliday, portrait of a seated girl beside flowers, signed, oil on canvas, 70 x 59cm
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Manner of Thomas Barker (1767-1847), 'The Miser', oil on canvas, 48 x 58cm
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1743
Late 18th century / early 19th century, Italian school, landscape with ruins, oil on canvas, 59 x 68cm
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Leslie Wilcox (1904-1982), landscape with windmill, signed, oil on canvas, 62 x 75cm
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1745
George Henry Jenkins (1843–1914), extensive seascape with fisherman on the shore, signed, oil on canvas, 90 x 150cm
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Gerard Bancal (1945-2020), ‘Le Proche et le Lointain’ and Le Picerie d’Ax les Thermes’, each signed and limited edition, one 6/70, blindstamped, two etchings, mounted, unframed, largest 25 x 46cm
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Ken Hildrew (b.1934), Oast Houses, signed, pastels, 49 x 70cm
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Mark Randall (1921–2011), ‘Blustery Day, Westcliffe’, signed, oil, 20 x 30cm
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1749
Mary Fenoughty (20th. C), five etchings with aquatint to include ‘Sunset’ and ‘Canal View’, each signed in pencil, largest 33 x 45cm
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1750
A group of seven prints to include an etching by William Lionel Wylie, lithograph by Edward Wesson and a map of Sussex, together with a watercolour by Charles Bentley, ‘Lifeboat off Broadstairs’, signed, each framed, largest 23 x 35cm
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1751
In the manner of Montague Dawson, ‘Katie and the Windjammer’, unsigned, decorative oil on canvas, 71 x 91cm
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1752
Quantity
1
Max bid
GBP
Estimate
300 - 500 GBP
Thomas Rose Miles (1844–1916), 'Hastings trawlers coming ashore', signed, inscribed to the frame, oil on canvas, 59 x 105cm
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19th century, English school, view of Eastbourne coastline, unsigned, oil on canvas, 62 x 75cm
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1754
Manner of Frederick Buck, early 19th century portrait miniature of a gentleman wearing military dress, oval watercolour on ivory, housed in an easel frame, 6 x 4.5cm CITES NJ7311LR
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1755
Regency school, a pair of portrait miniatures of a husband and wife, oval watercolours on ivory, housed in pendant frames, 7 x 5cm CITES Submission reference 6Q2MLW3U
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Raymond Campbell (b.1956), ‘Strawberries in Silver Cream Jug on Marble Table, signed, oil on board, 19 x 14cm
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1757
Helen Hyde (American, 1868–1919), The Furious Dragon, signed in pencil, 1914, woodcut on light Japan paper, unframed, 19 x 27cm
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1758
Elizabeth Keith (Scottish, 1887–1956), Shopping, Seoul, incomplete woodcut and a group of Japanese woodblock prints (19th/20th century) including Kiyochika etc, unframed, largest 39 x 28cm (8)
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