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Live
Venue address
15 North Street
Lewes, East Sussex
BN7 2PD
United Kingdom
Asian Ceramics & Works of Art
Auction dates
Oct 13, 2026 10:00 AM BST
Viewing dates
Oct 09, 2026 08:30 AM - 05:00 PM BST
Oct 10, 2026 09:00 AM - 01:00 PM BST
Oct 12, 2026 08:00 AM - 05:00 PM BST
Oct 13, 2026 08:30 AM - 10:00 AM BST
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GBP |
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Buyer's premium
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25 % |
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2 % |
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We found 201 items matching your search
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Indian Company School (late 19th century) A multi portrait miniature of The Procession of Akbar Shah II through Delhi watercolour on ivory, 11.1cm x 15.5cm Submission reference J1RKVB5U
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Persian School, an illuminated page inscribed in Arabic clerical script, dated 1892-93 (AH 1310), comprising 15 rows of clerical script with illuminated, patterned borders, 69cm x 49cm
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Makuzu Kozan II (1859-1940), a good Japanese blue and white ‘mythical beasts’ bowl, Meiji period, of lotus petal lobed design, painted to the interior with the central figure of Hotei, a deer and Shou character, the lobes with dragon fish, within a border of dragons between a flaming pearl and a ribbon-tied lotus, the exterior with alternating panels of mice, phoenixes, goldfish and dragon fish, the moulded lotus petal reserves painted with stylised shi-shi, five character mark to base ‘Makuzu Kozan sei’, within a double circle, diameter 26.5cm Provenance - Sir Merton Russell-Coates, thence by family descent. The Russell-Cotes visited Japan in 1885 returning with over 100 cases of Japanese objects, many of which they displayed in a specially decorated Japanese Drawing Room in their hotel, the Royal Bath. They continued to buy items in Britain. Their collection was transferred to East Cliff Hall in 1908 and in 1920 put on permanent display in The Mikado Room.
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A small Japanese Satsuma koro and cover, signed Suizan, Meiji period, finely painted with oshidori (Mandarin ducks) on scrolling water ripples, on three tapering feet, they domed cover decorated with Hoo birds, surmounted by a bud-shaped finial, the base with gilt two character mark ‘Suizan’ and two red seal marks ‘Sui Zan’, diameter 8cm
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A Japanese Satsuma pottery Koro and cover, early 20th century, painted with bijin and children in a landscape, the reverse with a peacock, peonies and irises in a landscape, on a gilt leaf decorated cobalt blue ground, on a triform base, the pierced cover surmounted by a chicken finial, two character mark to base, height 24cm
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A pair of Japanese Satsuma pottery vases, by Gyokuzan, Meiji period, each painted with bijin and children in a continuous landscape, between bands of chrysanthemums and irises, gilt two character seal mark to base, height 28.5cm, section of one rim restored
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A pair of Japanese Satsuma style vases, Kobé, Meiji period, each painted with birds in a landscape, the neck with brocade pattern, red twelve character mark to base and impressed potters mark, height 29.3cm, chips to each base
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A pair of Japanese Satsuma style pottery beaker-form vases, Kobé, Meiji period, each painted with butterflies and irises by a river landscape, red enamel six character marks and impressed potter‘s mark, height 24cm, one handle broken and glued
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A small Japanese Satsuma style vase, Kobé, Meiji period, painted with boys playing, brocade pattern borders, red six character mark to base and impressed potter’s mark, height 12.1cm
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A pair of Japanese mixed metal brushpots, Meiji period, each relief decorated with figures in a boat catching fish or picking lotus flowers, engraved three character signature to the base, height 20.7cm
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A fine Japanese shakudo and mixed metal ‘fan’ brooch, signed Mitsuhiro, Meiji period, relief decorated with cranes amid plum blossom branches, the right side with a vine design, stamped maker’s mark to the reverse, 7.7cm wide
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Four Japanese tsuba, Edo period, two iron tsuba inlaid in mixed metal, the first with horses and foliage, 6.7cm, the second with samurai hiding behind rocks, 6.9cm, the third a cast and pierced iron tsuba decorated with mythical beasts amid scrolls, 7.2cm and a copper alloy and mixed metal tsuba decorated with flowers foliage and a butterfly, 6.7cm, all unsigned, slight faults
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Quantity
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Max bid
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Estimate
2,000 - 3,000 GBP
A large Japanese bronze okimono of tigers attacking an elephant, Meiji period, signed Tsunemitsu, the elephant’s belly with two character seal mark, with ivory inset tusks, height 44.5cm, length 41cm, Submission reference 551KAE4P
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A large Japanese bronze figure of Benkei holding aloft a bell, in Miyao style, Meiji period, the brown patinated bronze figure of the warrior monk with gilt highlighted robes, fixed to a hardwood stand, apparently unsigned, the dimpled dobachi bell engraved with a dragon to the upper register, total height including wood stand, 65cm, together with a lacquered wood beater
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A Japanese lacquer ‘cranes’ five case inro, Jokasai School, 19th century, decorated in takamaki-e with various metallic inlays with red capped cranes, on a kinji ground, the subtle use of red (for the capping of the cranes) is a practice invariably used by Jokasai, signed Joka with kakihan, height 9.3cm, losses to gilt foil on crane wings
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A Japanese lacquer ‘immortal and cranes’ four case inro, Kajikawa School, 19th century, decorated in takamaki-e with an immortal holding a fan, the reverse with two red capped cranes, on a dense hirame ground, signed Kajikawa saku, height 8.4cm
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A Japanese lacquer ‘maple leaves’ three case inro, by Koma Yasutada, 19th century, decorated in takamaki-e with autumnal maple leaves and others on a hirame ground, nashiji ground to the interior, signed Koma Yasutada saku, height 7.4cm, together with a large abalone inlaid, marbled lacquer elliptical ojime, 4.2cm (2)
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A group of six Japanese Imperial red lacquer sakazuki (sake cups), late Meiji period, each gilt decorated with a pawlonia crest, three with four seal script characters to the underside, one cup with circular paper label inscribed ‘presented in 1909 by the Emperor of Japan to Sir Merton Russell-Cotes’, diameter ranges from 8.9cm to 12.5cm, one rim repaired
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A Japanese silver and mixed metal box and cover, Meiji / Taisho period, the cover inset with a patinated copper panel decorated with two fighting birds, engraved three characters signature lower left, with guilt lacquer lined interior, the silver bottom edge of the box with stamped jungin (pure silver) mark, 13.5cm, inner edge worn
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An impressive Japanese six panel painted paper and rattan folding screen, byobu, 19th century, painted with blossoming cherry and plum trees, peonies and rocks in a river landscape scene, on gold leaf paper inset with similarly painted rattan panels (sudare), height 181cm, width 378.5cm, some damage
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A Japanese twofold hardwood, shibayama and lacquer, Meiji period, carved and inlaid with ivory, bone and abalone baskets of flowers, amid flower sprays and birds, with red lacquer floral borders, the wood frames carved with squirrels, fruiting vines and flowers, seal mark, 189.5cm, width 176cm. CITES Submission Reference - 6LEQZ9B2
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Utagawa Kuniyoshi (Japanese, 1798-1861) Yukai sanjurokkassen (Courageous Leaders in Thirty-six Battles) Woodblock print, oban yoko-e, c.1851-52
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Utagawa Hiroshige (1797–1858) Ten woodblock prints from his series - One Hundred Famous Views of Edo, c.1856; Cotton-goods Lane, The Ferry Crossing at Sakasai, Asakusa River, The City Flourishing, Tanabata Festival, Suijin Shrine and Massaki on the Sumida River, Yanagishima, Sanno Festival Procession at Kojimachi Itchome, Sumiyoshi Festival at Tsukuda Island, Takinogawa, Oji, Inside Kameido Tenjin Shrine (Kameido Tenjin keidai Oban format, tears, stains and losses
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Utagawa Hiroshige (1797–1858), Fourteen Woodblock prints from four series; from his series One Hundred Famous Views of Edo; Kinokuni Hill and Distant View of Akasaka Tameike, Night View of Saruwaka-machi, Shitaya Hirokoji (Hirokoji Street in Shitaya), View to the North from Asuka Hill, Suruga-cho (Suruga Street), Fudo falls at Oji, all Oban format View from Massaki of Suijin Shrine, Uchigawa Inlet, and Sekiya, and Massaki of Suijin Shrine, Uchigawa Inlet, and Sekiya, both smaller format Takanawa no Zu (Moon at Takanawa), from his series The Fifty-three Stations of the Tokaido; two small views, Odawara: The Sakawa River (Odawara, Sakawagawa), Yoshiwara, Mount Fuji on the left, both Oban from his series Famous Places of Kyoto; Cherry Blossoms at Arashiyama (Arashiyama Manka), from his series Famous Paces in the Eastern Capital; Moonlit Evening at Takanawa (Takanawa tsukiyo),
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Utagawa Hiroshige (Japanese, 1797-1858) Crane, Pine, and Sun Woodblock print, c.1851, Vertical diptych, 72cm x 25cm Losses, tears and discolouration
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Katsushika Hokusai (1760–1849), Two woodblock prints; from his series Thirty-six Views of Mount Fuji; Mitsui Shop at Surugacho in Edo, 25 x 38cm from his series One Hundred Poems Explained by the Nurse; Poem by Fujiwara no Toshiyuki Ason, 25 x 36cm, Paper fragile, chipped, torn with losses
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Utagawa Hiroshige I, II and Utagawa Hirokage Figures in landscapes six woodblock prints,
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3,000 - 4,000 GBP
A Chinese neolithic ‘eggshell ‘pottery cup, Longshan culture, c.2500-2000 B.C., the bell-shaped bowl, above a turned stem with slit pierced hollow angular knop, on a circular foot, height 18cm, perspex stand, museum quality restoration to bowl of cup. With thermoluminescence test certificate from the Chinese university of Hong Kong, dated 15th August, 1994. For examples of black 'eggshell' pottery cf. Regina Krahl, Chinese Ceramics from the Meiyintang Collection, vol. 3 (I), London, 2006, pl. 1062. Krahl notes that the use of the potter's wheel was a technological breakthrough during this period which enabled more sophisticated forming than the coil-built method traditionally used. The Longshan potters exploited this new technique to create eggshell-thin vessels of breathtaking elegance, shaving the walls to minimal thickness with the help of a tool. To emphasise the appearance of weightlessness, these feather-light vessels were in addition pierced with openwork'. Compare also two similar examples illustrated in Chang Wei-Hwa, Pottery and jades of China's Neolithic Age, Taipei, 2001, pls 68 and 70 (fig.1 and fig. 2).
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A Chinese terracotta kneeling figure of a musician, probably Han dynasty, modelled as a seated musician playing a guqin (Chinese zither), height 36cm, cracks and restoration
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A Chinese incised and painted pottery vase, fanghu, Han dynasty or later, adapted as a table lamp, vellum shade on a painted wood and gilt pedestal, combined height 152cm.
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Three Chinese pottery figures, probably Sui dynasty to Ming dynasty, the first a standing figure of a lady wearing robes, probably Sui dynasty, with partial green glaze, height 21.5cm, the second a pigment painted standing figure of a lady, probably Tang dynasty, height 19.5cm and the last a standing figure of a mule, Ming dynasty, painted in pigments, length 20cm, minor faults
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A Chinese pottery model of a horse, probably Northern Wei dynasty, 6th/7th century AD, with pigment highlights to its face, blanket and harness, on a canted rectangular base, 22.5cm, length 21.5cm, some restoration
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A large Chinese pottery model of a horse, Northern Wei dynasty, 6th-7th century AD, standing four square with a saddle on its back, on a rectangular plinth base, with Oxford Authentication thermoluminescence analysis report certificate, sample number C118s2, dated 12 December 2018, height 36.5cm, length 36.5cm, some restoration Provenance - bought from Brian Page Oriental Art Ltd.
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A large Chinese terracotta model of a horse, probably Tang dynasty (618-907 AD), height 40.5cm, length 42.5cm, restoration
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A Chinese sancai bowl, possibly Tang period, partially glazed base, diameter 12.7cm, firing crack to base
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A Chinese Sancai glazed pottery funerary group, Ming dynasty, comprising six figures of servants, tallest 21cm, a model of a drum and stand, all standing on a plinth base, 30cm x 24cm x 13.5cm
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A Chinese Cizhou type pottery ovoid vase, possibly Ming Dynasty, painted in brown and incised with flowers and foliage on a white slip ground, height 26cm, glaze flaking
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2,000 - 3,000 GBP
A Chinese blue and white dish, Ming dynasty or later, the centre painted with flowers and ruyi heads, within lotus petals containing auspicious objects, the cavetto with peonies and leaves, the broad rim with a band of diaper, the underside with a band of Lotus flowers and scrolling foliage, glazed base, diameter 41cm, damage and repairs
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A Chinese blue and white circular plaque, in Ming style, painted with a lady and a boy in a garden setting with fence, rock work and bamboo, glazed base, total diameter 15cm
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52
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3,000 - 5,000 GBP
A large Chinese Ming Longquan carved celadon ‘Phoenix and dragon’ dish, 16th century, the central circular reserve carved with two phoenixes, the deep cavetto with two dragons chasing flaming pearls amid foliage and a ribbon tied ball, the underside incised with foliage to the border, burnt orange-brown disc to the base, diameter 47.7cm, slightly warped
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53
Quantity
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3,000 - 5,000 GBP
A Chinese blue and white 'landscape' jar, probably Ming dynasty, painted with a ‘windswept’ style landscape, unglazed base, height 16.3cm, cracks
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A Chinese wucai vase, Shunzhi period, c.1660, painted to three panels with blossoms, on an iron red enamelled scale pattern ground, unglazed base, 16.5cm high
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A Chinese blue and white pear-shaped vase, Transitional period, mid 17th century, painted with sprays of lotus, bamboo and peony, the neck with further sprays and a butterfly, height 23.5cm, crack to rim
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A Chinese celadon bowl, Song dynasty or later, burnt orange glazed rim and foot, diameter 12cm
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A Chinese wucai ‘Hundred Boys’ jar, Transitional period, mid 17th century, painted with numerous boys playing instruments, undertaking scholarly pursuits, playing with a hobby horse, playing chess, or dressed as a dragon, in a garden setting with rockwork and foliage, unglazed base, height 33cm, extensive damage, together an associated mid 17th century wucai cover, damaged
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A large Chinese doucai dish, Kangxi/Yongzheng period, early 18th century, painted to the interior in doucai enamels and gilding with bamboo and a stem of composite flowers, within double line borders below four shaped reserves enclosing further floral sprays reserved on a diaper ground, the reverse with two floral sprays painted in underglaze blue, diameter 38.7cm Cf. a similar large doucai dish, dated to the Kangxi/Yongzheng period (1662-1735), sold by Christie's 2010, Exhibited: Beauty of Qing Period, Osaka Municipal Museum of Art, 1992, no. 103.
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A Chinese blanc-de-chine figure of Guanyin, seated on a rockwork throne, height 24cm
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A Chinese enamelled biscuit sancai deep bowl, Kangxi period, incised and enamelled with blossoming trees on a yellow ground, underglaze blue seal mark within a double circle to base, diameter 19cm, cracks and wear, wood stand
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A Chinese iron red and green enamelled ‘fish and waterweed’ bowl, Kangxi period, apocryphal Chenghua six character mark to base within a double circle, diameter 14cm, height 5.4cm, hairline crack cf. a deeper porcelain bowl, painted with similar goldfish and pond weed with apocryphal Chenghua mark dated to the Kangxi period, sold by Christie’s, New York, Irene Roosevelt Aitkin collection, 12 February 2026, lot 309.
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A Chinese blue and white 'scholar and boy' dish, Kangxi mark and of the period (1662-1722), painted with a boy holding a goose, a seated scholar looking on, in a garden setting, the border with a repeating design of lotus flowers, tendrils and ribbon tide objects, the reverse with six character mark ‘Da Qing Kangxi nianzhi’, within a panelled border of tulips, diameter 20.2cm
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A Chinese blue and white ‘chilong’ saucer dish and a 'lady and boy' cup, Kangxi period and a bleu de Huê ‘hidden dragon’ bowl, 18th/19th century, the cup painted with a lady seated at a table the boy playing in the garden setting, apocryphal Chenghua mark to base, height 4.2cm, the chilong saucer dish, with ‘wan’ mark to base within a double circle, diameter 11.4cm, the Bleu de Huê bowl made for the Vietnamese market with ‘Yu’ (Jade) mark to base, diameter 11.7cm, cracks and restoration to rim (3)
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An unusual Chinese blue and white hexagonal saucer dish, Kangxi period, painted to the centre with a prunus branch and rockwork, within typical diaper banded borders, the underside with apocryphal Chenghua mark and floral sprigs, width 15.2cm, glaze flakes and fritting to edge
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A Chinese blue and white ‘prunus and cracked ice’ jar, Kangxi period, of ovoid form, height 12cm
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A small Chinese blue and white prunus and cracked ice jar, Kangxi period, of ovoid form, height 8.9cm, chip
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A Chinese blue and white ‘prunus and cracked ice’ jar, Kangxi period, of ovoid form, 22.8cm high, splinter chip to rim
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A Chinese blue and white landscape ovoid jar, Kangxi period, painted with pavilions in a mountainous river landscape with a fisherman on a boat and a sage and attendant on a rocky promontory, height 21.7cm
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4,000 - 6,000 GBP
A Chinese blue and white yen-yen vase, possibly Kangxi period, painted with mountainous river landscape scenes, double circle to base, height 45cm Provenance - Suffolk private collection
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3,000 - 5,000 GBP
A Chinese famille verte dish, possibly Kangxi period, painted with two warriors battling in an arena, with figures looking on from pavilions, the underside with underglaze blue lingzhi fungus within a double circle, channel moulded foot, diameter 35cm
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A Chinese famille rose dish, Yongzheng period (1723-35), painted with two birds perched on a blossoming and fruiting peach branch, amid ‘mogu’ peonies, diameter 31.5cm, discoloured restoration
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A Chinese blue and white ‘immortals’ dish, Yongzheng period, painted with Wengchang Wang and his two helpers, Tianlong (Heaven-Deaf) and Diya (Earth-Mute), standing beside him in a garden setting with two phoenixes, the cavetto with diaper and ribbon-tied objects, the broad rim with plum blossom, peonies and other flowers, the underside with sprigged decoration, diameter 32.2cm, rim crack
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